Svetlana Alexievich

Astounding stories by women born in the USSR, pioneers and survivors, that reveal their heroic experiences from the time of the Revolution in 1917 to the present day through personal testimonies and intimate conversations with remarkable women and unseen archive footage. It opens a door to their inner thoughts, feelings, fears and hopes. Their experience foreshadowed that of women of today and yet their fate is also the story of their century.

In fictional sequences inserted into this documentary about economic, social and political perspectives on possible upcoming developments, the filmmakers portray a utopian future as a foreign territory. Six public figures from various cultural and social circles reflect on the future as a matter of time, people and the world.

It’s the last dictatorship of Europe, caught in a Soviet time-warp, where the secret police is still called the KGB and the president rules by fear. Disappearances, political assassinations, waves of repression and mass arrests are all regular occurances. But while half of Belarus moves closer to Russia, the other half is trying to resist…

For several years, Nobel laureate Svetlana Alexievich traveled around in Russia and Belarus to investigate the relationship to love of the Russian people. One, as Svetlana means, is an acute shortage in today's society.

For several years, Nobel laureate Svetlana Alexievich traveled around in Russia and Belarus to investigate the relationship to love of the Russian people. One, as Svetlana means, is an acute shortage in today's society.

This film does not deal with Chernobyl, but rather with the world of Chernobyl, about which we know very little. Eyewitness reports have survived: scientists, teachers, journalists, couples, children... They tell of their old daily lives, then of the catastrophe. Their voices form a long, terrible but necessary supplication which traverses borders and stimulates us to question our status quo.

For three years, filmmaker Staffan Julén has traveled with Svetlana Alexievich in Belarus and Russia to document her working method when her reportage books are created. At first, filmmaker Staffan Julén wanted to make a traditional writer portrait on Nobel Prize laureate Svetlana Alexievich which she was not interested in. Her suggestion was instead that he would tag along with her in her ongoing projects and follow her when she talks to people about love.

For three years, filmmaker Staffan Julén has traveled with Svetlana Alexievich in Belarus and Russia to document her working method when her reportage books are created. At first, filmmaker Staffan Julén wanted to make a traditional writer portrait on Nobel Prize laureate Svetlana Alexievich which she was not interested in. Her suggestion was instead that he would tag along with her in her ongoing projects and follow her when she talks to people about love.

In the immediate aftermath of the 11 September Paul Virilio suffered from a malaise found very seldom among philosophers, which was caused by an excessive degree of confirmation on the part of reality. He broke off work on his book "L'accident Intégral" to put together an exhibition that was designed to illustrate the concept of the global accident in all its topicality. The outcome was the much-vaunted Ce qui arrive, which was housed in the Fondation Cartier pour l'art contemporain in Paris from 29 November 2002 to 30 March 2003. The cinematic installation, Unknown Quantity, which was a key part of the exhibition, features the staging of a discussion between Paul Virilio and Svetlana Alexiyevich, the author of the book "Chernobyl. Chronicle of the Future", the essential witness's statement on the conversion of history in catastrophe.