Vincent Castellanos

A black comedy that follows three generations of a family, who come together for the funeral of the patriarch - unveiling a litany of family secrets and covert relationships.

Young Scott Doherty (Adam Garcia) gets suspicious when his mother (Jacqueline Bisset) plans to wed Oliver Vance (Stuart Wilson) soon after her husband's untimely death. Scott investigates with Oliver's pretty daughter, Kelly (Alice Evans), who shared Scott's doubts about the upcoming nuptials. Along the way, he falls in love with Kelly, but a fatal explosion turns Scott's life upside down - and the evidence points to him as the murderer. Has he been framed?

A sweet-natured Italian waiter named Pistachio Disguisey at his father Fabbrizio's restaurant, who happens to be a member of a family with supernatural skills of disguise. But moments later the patriarch of the Disguisey family is kidnapped Fabbrizio's former arch-enemy, Devlin Bowman, a criminal mastermind in an attempt to steal the world's most precious treasures from around the world. And it's up to Pistachio to track down Bowman and save his family before Bowman kills them!

Blonde Betty Elms has only just arrived in Hollywood to become a movie star when she meets an enigmatic brunette with amnesia. Meanwhile, as the two set off to solve the second woman's identity, filmmaker Adam Kesher runs into ominous trouble while casting his latest project.

On a personal mission to destroy his wife killer, a Denver cop (William Baldwin) joins a rogue operation that goes bad, finds himself under suspicion of murder yet still manages to restart his life.

In 1970s Atlanta, a diminutive gay man tries to find succor from the small-town religion that filled him with self-loathing. He meets Miss Make-Do, who teaches him the fun of reckless behavior and emotional management via getting higher than a kite. The film features a host of cameos from John Ritter, Marilu Henner, Kathy Kinney and others.

Dooley and his dog Jerry Lee still are active as a police team with the LAPD. However, years starting and counting Captain Roger Byers thinks they urgently need to do something with their condition. He even forces them to work with a second team: the one of the young Sergeant Welles and her disciplined Dobermann Zeus. Dooley and Jerry Lee thinks they can work without their new partners but a mysterious sharp-shooter forces them to the ultimate cooperation

Four highly trained martial artists are dispatched to protect a high-profile baseball player from hired kidnappers.

Marshall McClary, one of the most violent, racist, foul- mouthed Marshalls in Texas, is in the middle of resolving a hostage situation (by shooting everyone he sees) when the FBI agents show up, interfering with his negotiation, and ending the event with McClary being wounded and two of the criminals escaping. After hearing that the two fugitives has fled to Miami, McClary follows behind them, working with the local police and offending every single person he encounters.

Initially, "Mulholland Dr." was to mark David Lynch's return to television. It is a retooling of a script originally shot as a 94-minute pilot for a TV series (co-written with TV screenwriter Joyce Eliason) for the channel ABC, which had approved the script, but chose not even to air the pilot once it was done in 1999, despite Lynch's labours to cut the project to their liking. It was left in limbo until 18 month later French company Studio Canal Plus (also producer of 'The Straight Story') agreed to pay ABC $7 million for the pilot, and budget a few million more to turn the pilot into a two-hour, 27-minute movie. The cost of the film doubled to $14 million as sets had to be reconstructed and actors recalled.

A "National Geographic" film crew is taken hostage by an insane hunter, who takes them along on his quest to capture the world's largest - and deadliest - snake.

After Ashe and his little son are murdered violently for no reason by Judah's men, he returns from the dead to take revenge. One after one, Judah's people face the power of the dark angel. The second film based on James O'Barr's cult comic.