Iván Fund

Renata seeks refuge in the house of Virginia, her sister. Virginia lives a quiet life with her son Lucio in a provincial city and the only thing that seems to worry her are the ants that have invaded her home. Renata has nowhere to go. Virginia wants to help her and receives her; But the days pass and the drama of daily life begins to reveal the link between them, the pain of recognizing and rediscovering each other in a past that returns and takes strange forms.

Renata seeks refuge in the house of Virginia, her sister. Virginia lives a quiet life with her son Lucio in a provincial city and the only thing that seems to worry her are the ants that have invaded her home. Renata has nowhere to go. Virginia wants to help her and receives her; But the days pass and the drama of daily life begins to reveal the link between them, the pain of recognizing and rediscovering each other in a past that returns and takes strange forms.

Renata seeks refuge in the house of Virginia, her sister. Virginia lives a quiet life with her son Lucio in a provincial city and the only thing that seems to worry her are the ants that have invaded her home. Renata has nowhere to go. Virginia wants to help her and receives her; But the days pass and the drama of daily life begins to reveal the link between them, the pain of recognizing and rediscovering each other in a past that returns and takes strange forms.

Early 2000s. The economy at crisis, the final years of TV's reign, the public was still gullible. A presenter and a cameraman travel to the mountains to film a documentary piece, convinced that fiction is the best way to get in contact with the world.

Greta and Bruno, her husband, struggle with grief after the disappearance of their son. Their friend Sina travels to the coast to help them sell their summer house.

Greta and Bruno, her husband, struggle with grief after the disappearance of their son. Their friend Sina travels to the coast to help them sell their summer house.

Greta and Bruno, her husband, struggle with grief after the disappearance of their son. Their friend Sina travels to the coast to help them sell their summer house.

After numerous rejections, Ema's parents finally find a safe place for their daughter who has been diagnosed on the autism spectrum. In the loving community of the new primary school in the small town on the river, Ema can silently observe and explore the world at her own pace. The film gently follows Ema's small steps that evolve into magical moments.

After numerous rejections, Ema's parents finally find a safe place for their daughter who has been diagnosed on the autism spectrum. In the loving community of the new primary school in the small town on the river, Ema can silently observe and explore the world at her own pace. The film gently follows Ema's small steps that evolve into magical moments.

After numerous rejections, Ema's parents finally find a safe place for their daughter who has been diagnosed on the autism spectrum. In the loving community of the new primary school in the small town on the river, Ema can silently observe and explore the world at her own pace. The film gently follows Ema's small steps that evolve into magical moments.

After numerous rejections, Ema's parents finally find a safe place for their daughter who has been diagnosed on the autism spectrum. In the loving community of the new primary school in the small town on the river, Ema can silently observe and explore the world at her own pace. The film gently follows Ema's small steps that evolve into magical moments.

After numerous rejections, Ema's parents finally find a safe place for their daughter who has been diagnosed on the autism spectrum. In the loving community of the new primary school in the small town on the river, Ema can silently observe and explore the world at her own pace. The film gently follows Ema's small steps that evolve into magical moments.

In a working-class neighborhood, in the outskirts of a small town, a group of children is faced with a strange and terrifying incident, which will soon develop into a true epidemic: all adults have turned into “sleepy beings”. The children, petrified yet determined, try hard to keep their spirits high and not give up hope that somehow, someday, their parents will “wake up”. As this uncanny drama unfolds, the stories of the “sleepers” are uncovered through the traces of their absence. A poetic and haunting reflection on loneliness and loss, a silent cry for companionship and human touch.

In a working-class neighborhood, in the outskirts of a small town, a group of children is faced with a strange and terrifying incident, which will soon develop into a true epidemic: all adults have turned into “sleepy beings”. The children, petrified yet determined, try hard to keep their spirits high and not give up hope that somehow, someday, their parents will “wake up”. As this uncanny drama unfolds, the stories of the “sleepers” are uncovered through the traces of their absence. A poetic and haunting reflection on loneliness and loss, a silent cry for companionship and human touch.

Through different situations, the narration is introduced into the life of old García (a lonely and enigmatic man who lives and works in an astronomical observation center that has been operating since the sixties in the city of Santa Fe), of Marcelo ( a young man passionate about the unfathomable mysteries of the cosmos) and Noelia (a student who will start working as Garcia's assistant).

Organism is, among other things, the story of a young woman and her pet, a small dog named Italia. It's also a new piece added to the extended work of Iván Fund, where the documentary record blurs with fiction in order to create (or describe) small intimate universes where the director's relationship with his characters result in an area where emotions and sensibility rule using small everyday events that push the story forward.

Organism is, among other things, the story of a young woman and her pet, a small dog named Italia. It's also a new piece added to the extended work of Iván Fund, where the documentary record blurs with fiction in order to create (or describe) small intimate universes where the director's relationship with his characters result in an area where emotions and sensibility rule using small everyday events that push the story forward.

Organism is, among other things, the story of a young woman and her pet, a small dog named Italia. It's also a new piece added to the extended work of Iván Fund, where the documentary record blurs with fiction in order to create (or describe) small intimate universes where the director's relationship with his characters result in an area where emotions and sensibility rule using small everyday events that push the story forward.

Arita and Balencha, two young girls and close friends are like sisters to each other. Most of their friends have moved to Buenos Aires, but even if your boyfriend is trying to tug you along, it takes courage (and money in your pocket) to say farewell to each other and the place you have grown up in. But time passes and change happens, no matter if you want it or not - and maybe even Arita and Belencha will one day grow apart. But until then their days are spent talking, dreaming and finding a new home for a cardboard box full of puppies among friends and neighbours.

Arita and Balencha, two young girls and close friends are like sisters to each other. Most of their friends have moved to Buenos Aires, but even if your boyfriend is trying to tug you along, it takes courage (and money in your pocket) to say farewell to each other and the place you have grown up in. But time passes and change happens, no matter if you want it or not - and maybe even Arita and Belencha will one day grow apart. But until then their days are spent talking, dreaming and finding a new home for a cardboard box full of puppies among friends and neighbours.

La Paz is the story of Liso, a young man who emerges from a psychiatric institution and tries to re-adapt to daily life in the universe of his middle class family and neighborhood. Though everything seems difficult, under the surface and very subtly things start to change for him.

Michi, a village tarot reader, has lost his dog Ernesto, between kennels and drunkenness, Michi's wandering daily search to reunite with his pet intersects and confuses the relationship he has with Pepo and Yasu, a young couple, and with Eva, a policewoman who patrols the dirt streets that are the horizon of vernacular geography.

Michi, a village tarot reader, has lost his dog Ernesto, between kennels and drunkenness, Michi's wandering daily search to reunite with his pet intersects and confuses the relationship he has with Pepo and Yasu, a young couple, and with Eva, a policewoman who patrols the dirt streets that are the horizon of vernacular geography.

Michi, a village tarot reader, has lost his dog Ernesto, between kennels and drunkenness, Michi's wandering daily search to reunite with his pet intersects and confuses the relationship he has with Pepo and Yasu, a young couple, and with Eva, a policewoman who patrols the dirt streets that are the horizon of vernacular geography.

Downtrodden after some missteps in life, Daniel returns home. Work is non-existent, his ex-wife expects financial help he can't give her, and things are looking bleak. Yet as he prepares to become Godfather to his sister's son, who's soon to be baptised, he rediscovers a purpose - for a few days, at least.

Downtrodden after some missteps in life, Daniel returns home. Work is non-existent, his ex-wife expects financial help he can't give her, and things are looking bleak. Yet as he prepares to become Godfather to his sister's son, who's soon to be baptised, he rediscovers a purpose - for a few days, at least.

Three women travel to a distant place to do welfare work. They assist, listen, stay with the unprotected. An old hospital in ruins accommodates them. The imposed group life gets more complex as they start to know each other. The relationship with the others, the community, is also difficult. But, as days go by, they will start to melt into that human landscape surrounding them. To be part of the mystery of otherness.

Three women travel to a distant place to do welfare work. They assist, listen, stay with the unprotected. An old hospital in ruins accommodates them. The imposed group life gets more complex as they start to know each other. The relationship with the others, the community, is also difficult. But, as days go by, they will start to melt into that human landscape surrounding them. To be part of the mystery of otherness.

Three women travel to a distant place to do welfare work. They assist, listen, stay with the unprotected. An old hospital in ruins accommodates them. The imposed group life gets more complex as they start to know each other. The relationship with the others, the community, is also difficult. But, as days go by, they will start to melt into that human landscape surrounding them. To be part of the mystery of otherness.

"I was not afraid today" are two films at the same time. The first one portrays two sisters in their daily lives and the second one gets rid of the linear narration in search of a free manipulation of the visual and sound texture.

"I was not afraid today" are two films at the same time. The first one portrays two sisters in their daily lives and the second one gets rid of the linear narration in search of a free manipulation of the visual and sound texture.

"I was not afraid today" are two films at the same time. The first one portrays two sisters in their daily lives and the second one gets rid of the linear narration in search of a free manipulation of the visual and sound texture.

"I was not afraid today" are two films at the same time. The first one portrays two sisters in their daily lives and the second one gets rid of the linear narration in search of a free manipulation of the visual and sound texture.

"I was not afraid today" are two films at the same time. The first one portrays two sisters in their daily lives and the second one gets rid of the linear narration in search of a free manipulation of the visual and sound texture.

"I was not afraid today" are two films at the same time. The first one portrays two sisters in their daily lives and the second one gets rid of the linear narration in search of a free manipulation of the visual and sound texture.

Follows a group of friends adrift in a swampy after-hour: at dawn after a party, where the body struggles between arousal and extenuation.

Follows a group of friends adrift in a swampy after-hour: at dawn after a party, where the body struggles between arousal and extenuation.

Follows a group of friends adrift in a swampy after-hour: at dawn after a party, where the body struggles between arousal and extenuation.

Follows a group of friends adrift in a swampy after-hour: at dawn after a party, where the body struggles between arousal and extenuation.

Two brothers await with their dying mother the precise moment that the rain gives them a break. The harvest has had its time to ripen and has begun to weaken. They would make a decision: stay there to take care of her or go out to do the job before the water destroys the crop.