Jan Mimra

Two kind but foolish sisters live together in their villa in a small town in South Bohemia. Fany (Natasa Gollová) has never married and Andelka (Eva Svobodová) is a widow. In the morning, the two sisters go into town. They need to buy fuel oil, put money in the bank and give plums to the teller. In the meantime an smallish orange Skoda MB car parks at their house, with Hermínka (Iva Janzurová), the old ladies' niece, and her fiancé Michal (Jirí Hrzán) in it. Michal has forgotten to bring flowers and has to go into town to fetch them. At the bank, Fany wants to deposit money but the minute the teller opens the safe, a thief arrives. He knocks the teller and Fany unconscious and runs away with the money. When Fany comes to her senses again, she sees Michal and accuses him of being the thief.

No Woman is allowed into Karlstejn Castle! Yet the enamoured Daniele Kolářová and the equally enamoured Jana Brejchová manage to spend one night in disguise in the Castle despite the strict royal ban.

Black comedy about a genius inventor and two young, smart and beautiful women. Both of them putting all their effort into getting the one man. This will inevitable lead to all sorts of mischief, crime and even a murder. This murder-comedy, shot at the dawn of normalization has intentionally broke off from any connection to the reality of its time. The director Zdeněk Podskalský has focused on creating intriguing story lines, revolving around the two endeavouring female characters who are fighting for the same man. Two competing parties are not only ready to kill the other, but also (if necessary) the potential groom. This film has enabled the members of the cast, composed mainly of the brightest stars of the Czech acting scene of that time, to show an incredible acting range, from the lightest comedy to the darkest cynical morbidity.

Black comedy about a genius inventor and two young, smart and beautiful women. Both of them putting all their effort into getting the one man. This will inevitable lead to all sorts of mischief, crime and even a murder. This murder-comedy, shot at the dawn of normalization has intentionally broke off from any connection to the reality of its time. The director Zdeněk Podskalský has focused on creating intriguing story lines, revolving around the two endeavouring female characters who are fighting for the same man. Two competing parties are not only ready to kill the other, but also (if necessary) the potential groom. This film has enabled the members of the cast, composed mainly of the brightest stars of the Czech acting scene of that time, to show an incredible acting range, from the lightest comedy to the darkest cynical morbidity.

Three blue collar workers have a night out in big city Prague.

Prague - mystical city. It was here in the Middle Ages, alchemists and magicians gathered. Rumor has it that the house of Prague hide secret obtain the philosopher's stone, and complex multi-level labyrinth of underground tunnels and cellars keep many unsolved mysteries and untold treasures. Prague just full of ghosts and phantoms. Let us slightly lift the veil that hides the secrets and little to satisfy your curiosity, get acquainted with some legends of Prague.

Shortish forty-year old Ludvík Podzimek, lute and flute player in a Prague orchestra, is far from being an attractive man. He is nevertheless generally considered a great 'Don Juan'. Women take up with him out of a certain motherly compassion and Ludvík's tender heart does not allow him to split with any of them. His lovers thus accumulate and cause him numerous troubles.

The second installment of children's stories investigator Dr. Martin. The film has two stories:

The 20th century's first man lands on the moon and discovers - that Baron Munchausen has already beaten him to it, along with Cyrano and characters from Jules Verne's lunar-landing novel. The Baron spirits the young cosmonaut by horse-drawn ship back to an ancient "Earth", where they insult a sultan, rescue a princess, fall in love with the princess, and then as a trio have further experiences in a world of pastel colors, ornate dreamlike settings, and the inevitable angry disrupters of peacefulness and love.

Kam Cert Nemuze by director Zdenek Podskalsky is a routine farce that slowly builds up steam to some rib-tickling slapstick episodes. (Miroslav Hornicek) is a deluded young man who is convinced he is Faust incarnate. This turn of mind leads to some ludicrous situations, such as when he believes a woman is really a cat. Before he can be rounded up and interned wherever they keep people with this type of a problem, love enters his life and the clouds that obscured his vision begin to dissipate.