Rosa Diletta Rossi

Italy, WWII. After his anti-fascist mother is arrested, Mario spends his childhood on the streets. In 1947 they are miraculously reunited and start a new life in America. Based on the life of Mario Capecchi, 2007 Nobel Prize in Medicine.

Pio and Amedeo are inseparable friends, or at least they were until they graduated from high school, at which point each one was faced with the question: move up north or stay in the south?

A castle on a billboard is the only landscape by Elena's basement window. It's here where she lives, it's here where she manage her activity. In a hot day of summer, a new client appears to her abode: Sergio. Before the story goes, he has to pronunciate the password to get in: "Princess".

Salvo was five when his father Vincenzo was arrested, practically before his eyes. Seven years later Salvo lives with his uncles and his cousin a controlled and peaceful existence in the Turin area, but his father returns and claims his son for four days. Vincenzo has to carry an important load to Bari and brings Salvo (nomen est omen) with him as insurance: a child is better than a gun, he says, because his presence in the event of a possible police detention can have a distracting effect . This however is not the only reason why Vincenzo wants Salvo with him, and the "Salv-atore" child will prove to be a potential vehicle of redemption for that messed up father, but not entirely devoid of feelings and attentions.

Two families meet for a marriage that neither want, and things take a turn when the respective patriarchs fall in love.

A 27-year-old guy from a peripheral Roman suburb leads a normal but repetitive life: his conscience manifests in the form of an armadillo with whom he has conversations bordering on paradoxical during which he updates him on what's happening in the world. Based on the best-selling graphic novel.

The last years of Italian judge Rocco Chinnici — who was instrumental in the battle against Cosa Nostra, laying the basis for the famous Antimafia Pool — before his assassination, as seen through the eyes of his daughter Caterina.

The story of a young mother with a failed marriage behind her, who fights daily for her dream to open a hair salon, challenging her fate in an effort to free herself and gain independence and right to happiness.

We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.

Maya is leaving school to marry a man her parents have chosen. Her friend Anna doesn't understand how she can agree.