A new era is about to begin in Eastern Europe. Scythians, the proud warriors, are all but gone and most of the few remaining descendants have become ruthless mercenary assassins. Lutobor, a warrior who becomes involved in intertribal conflicts, sets off on a perilous journey to save his family guided by a captive Scythian.
Ethan Hunt and his team are racing against time to track down a dangerous terrorist named Hendricks, who has gained access to Russian nuclear launch codes and is planning a strike on the United States. An attempt to stop him ends in an explosion causing severe destruction to the Kremlin and the IMF to be implicated in the bombing, forcing the President to disavow them. No longer being aided by the government, Ethan and his team chase Hendricks around the globe, although they might still be too late to stop a disaster.
Five years ago David's life came undone when his young daughter fell victim to a brutal attack. The subsequent emotional fallout cost him his marriage and his job. Handicapped by guilt and anguish David abandoned his past and alienated himself. He took a second rate job as a security guard and plodded on - his wounds concealed but unhealed. All it would take is a scratch for them to open wide and consume him.... During a routine security inspection, David discovers a young Serbian girl stowed in the cab of a truck. Her sister and other girls have been murdered - all victims of a perfidious human trafficking racket. She pleads for his help. This is his chance at retribution. This time he will champion the young girl that places her trust in him. But David is taking on Goliath and he has his back against the wall and a gun at his head. Enlisting the help of a woman's refuge counselor, David embarks on a do or die mission to save the girl.
A travelling theatre company has more to it than meets the eye. It is an imaginary world commanded by the mind of Doctor Parnassus and the audience is in for more than just a show.
Director Andrey Kalistratov is making a multi-part television film about the literary life of Petrograd after the Civil War, about the House of Arts, which was created by the Bolsheviks to control the creative intelligentsia. Modern Petersburg and Petrograd of 1921 are intricately intertwined in the director's mind. The cruel, bloody, but romantic world of the first years of the revolution and the artistic and everyday environment of modern cinema coexist in one space. The main characters of the film that Kalistratov is shooting - the poet and former officer Pyotr Versilov, his girlfriend Olga, the French documentary cameraman Etienne Faberge and his wife Francoise - are as real to the director as the people around him-the film's producer Semyon Mikhailovich, the film crew, actors, friends, acquaintances, relatives. Despite the demands of the producer to be "simpler" and "more economical", Kalistratov wants to make a real historical film, not a standard TV series "soap".
Kate is a Naval officer whose married to a Marine. When she learns her husband is committing treason she turns him in. He's sent to prison and she divorces him and would have to deal with the stigma of being married to a traitor. A few years later, her husband escapes from prison and the consensus is that he's going after her. And he approaches her but doesn't do anything to her. She thinks he's up to something and tries to find out what it is.
A passenger of a hijacked airliner who happens to be an airplane engineer works to deactivate a chemical weapons bomb after the hijackers kill the pilot and threaten to kill all the passengers on the plane.
