Mrs. Archer (De Luxe Annie I)
A 1918 film directed by Roland West.
Susan Ambie
A married woman flirts with other men.
Mrs. Mutrie
Trying to win the Three C's railroad line for his home town of Topaz, Colorado, Nicholas "Nick" Tarvin journeys to India to secure the famed jewel known as the Naulahka, which he plans to present to Mrs. Mutrie, the railroad president's wife.
Betty Murray
Jane and Katharine are the sweetest youngsters in the world, in their mother's eyes. The family is summering at a seaside resort when mama is called to town for a week. Not wishing to interrupt her darling's good time, she has her young bachelor brother come to the hotel to take care of the children until she returns. "Billy" Parke undertakes the job.
Based on the Novel by Robert W. Chambers of New York City life among the upper-crust, Valerie West , artist/model and philosopher, undergoes much sorrow and joy, many trials and tribulations, and final triumph on her journey to become the living personification of sweet and noble womanhood.
After a stirring performance, Cleo Martell, a renowned stage actress, is visited in her dressing room by Gordon Trent, a too ardent admirer. When Cleo's husband enters, a fight ensues, and Trent kills his rival in the struggle. Jack Stanley arrives on the scene to help but is accused of the murder by Cleo and is sent off to prison. The opportunistic Trent marries Jack's rich fiancée Helen Forde, who believes that her former lover is guilty of unfaithfulness. Jealous of the arrangement, Cleo eventually tells Helen the truth about the killing, causing Betty, Helen's daughter, to cry over her mother's unhappiness. Moved by the girl's tears, Cleo joins forces with Helen against Trent, and the two women go West where Jack, escaped from prison, works as a cowboy.
Marie / sculptor's servant
A modern artist named Raphael dreams that he is the ancient Greek sculptor Phidias, who has been commissioned by the wealthy Georgias to carve a number of statues. When Phidias refuses to give up his work, Diogenes appears and suggests that the sculptor ask the statues themselves whom they would prefer as their owner. After coming to life, the statues abandon the sculptor for the rich man. Awakening, Raphael continues his pursuit of the beautiful Marco, a society woman who has posed for him. Marco ultimately spurns his love in favor of a wealthy viscount, however, leaving Raphael to seek happiness with the humble but loving Marie.
