Felipe de Alba

Freshly graduated from high school, Ana receives a full scholarship to Columbia University. Her very traditional, old-world parents feel that now is the time for Ana to help provide for the family, not the time for college.

An English slave trader is marooned on a remote tropical island, forced to fend for himself and deal with crushing loneliness.

Marucha (Sarita Montiel) has had a shattered face since childhood, but she has a beautiful figure and covers half of her face with her hair. She is a singer and performs in neighborhood theaters. Marucha and Ramon are professionals in crime.

The Martyr of Calvary (Spanish: El Mártir del Calvario) is a 1952 Mexican drama film directed by Miguel Morayta about the life of Christ. It was entered into the 1954 Cannes Film Festival.

In 1850s Mexico, the beautiful owner of a silver mine is kidnapped by a bandit leader, who needs money to finance his revolt against the Emperor Maximilian.

Mother and daughter return to Mexico to escape the US Civil War... and get caught up in the conflict between the French army and the fighters for independence.

Convicted on flimsy evidence of complicity in a jewel robbery, there's nothing he can do afterward to put his life in order. Downward spiral.

Tin-Tan and his carnal Marcelo take over Carmelita baby for a few hours, and suddenly, the three are hired by an employer of the tents, starting the funniest adventures you can imagine.

Gumaro Pérez must fulfill all the whims of his wife, who is sworn lady of society even though the Pérez are not a wealthy family. In order not to look bad with his wife, Gumaro asks for a loan, but when he receives it, all his co-workers take it from him since he owes everyone money.

Mom and dad make sacrifices for the sake of their adult children. And then more sacrifices. And more.

The dynamics of a typical middle-class family are shaken up after the introduction of an enthusiastic door-to-door vacuum salesman.

Ghost horror-comedy.

A Mexican film noir revolving around a crime: the suicide of one of Diana (María Félix)'s lovers and the disposal of his body in order to avoid a scandal. Diana not only engineers the entire scheme, but drafts her two other suitors: her fiance Adolfo (Julio Villareal) and his nephew Miguel (Luis Aldas).

In mid-nineteenth century Guanajuato, the beauty and charm of the young heiress Amalia conquers the lowly foreman Ricardo with fatal results. Prevented from consummating their love, Ricardo is going to Guanajuato where again later become the rich owner of a mine. On his return, fate has prepared a tragic encounter with Amalia.