André Matthias

Guled and Nasra are a loving couple, living in the outskirts of Djibouti city with their teenage son, Mahad. However, they are facing difficult times: Nasra urgently needs an expensive surgery to treat a chronic kidney disease. Guled is already working hard as a gravedigger to make ends meet.

Gaza, today. Sixty-year-old fisherman Issa is secretly in love with Siham, a woman who works at the market with her daughter Leila. When he discovers an ancient phallic statue of Apollo in his fishing nets, Issa hides it, not knowing what to do with this mysterious and potent treasure. Yet deep inside, he feels that this discovery will change his life forever. Strangely, his confidence starts to grow and eventually he decides to approach Siham.

Centaur lives a modest life with his family in rural Kyrgyzstan until he abruptly becomes the center of attention when he is caught stealing a racehorse at night. A story inspired by the myth when horses became the wings of men.

Imprisoned on an unfair charge of fraud, a mild-mannered Jordanian contractor discovers that prison has its own rhythms, rules, and economies — and he soon begins to carve out a position for himself in this place where fraud isn’t a crime so much as a way of life.

The main hero of the film is an electrician with a far greater effect on the people around him than his job defines. He is the last link in a huge energetic system and he becomes the binding bridge between the geopolitical problems of post-soviet space and the common people. The economic devastation of the country had an enormous impact on the industrial workers and yet despite the upheaval, these people did not seize to love and suffer, to have and be friends and to enjoy their lives. In particular our resilient electrician, who possesses a wonderful and open heart. He not only brings electric light (which is often out) to the lives of the inhabitants of this small city, but he also spreads the light of love, loyalty, life and mainly laughter.