Marie-Ange Luciani

Teenage pen pals in France and Germany forge a friendship through letters, exploring cultural differences and improving their foreign language skills.

Madagascar, at the turn of the 1960s and 1970s. On an air base of the French army, the soldiers live the last carefree years of colonialism. Influenced by his readings of Fantômette, Thomas, a child who is not yet 10 years old, gradually forges a look at the world around him.

Margaret, 35, has a history of violent behaviour which has cost her a romantic relationship. She has moved back in with her mother Christina, a fragile, immature 55-year-old woman who blames Margaret, her firstborn, for ruining her dreams of a career as a concert pianist. In a state of unbridled fury during an argument, Margaret hits Christina. The law steps in, further complicating family dynamics. As she awaits trial, Margaret is forbidden from coming into contact with her mother or within 100 metres of their home. This only intensifies her desire to be closer to her family. Every day, Margaret appears at this 100-metre threshold to see her 12-year-old sister Marion and give her music lessons.

Who is this Karim D. ? The new young writer whom the media can't get enough of? Or his alias, Arthur Rambo, the author of old hate-fuellled messages which are dredged up, one day, from social media websites?

Loves, worries, search for happiness in an anxiety-provoking society: an invigorating dive into the intimacy of European youth, filmed during a theatrical performance.

Franck, a former young hopeful at the Nantes soccer club, has stayed on to help the team for ten years after an injury,but becomes especially frustrated when he meets a seductive young woman.

Paris, in the early 1990s: a group of young activists is desperately tied to finding the cure against an unknown lethal disease. They target the pharmaceutical labs that are retaining potential cures, and multiply direct actions, with the hope of saving their lives as well as the ones of future generations.

They come from all over Eastern Europe: Russia, Romania, Chechnya. They are Eastern boys. The oldest appear no more than 25; as for the youngest, there is no way of telling their age. They hang around the Gare du Nord train station in Paris. They might be prostitutes, but there is no way of knowing for certain. Muller, a discreet man in his late fifties has his eye on one of them - Marek. One afternoon, Muller gathers his courage and speaks to him. The young man agrees to come visit Muller the following day, at his place. However the next day, when the doorbell rings, Muller doesn't have the faintest idea that he has fallen into a trap.

A woman is suspected of her husband's murder, and their blind son faces a moral dilemma as the sole witness.