Producer
Entrance and Exit of Mascha B. follows a young woman through a digital transformation process. In the premises of a big architectural visualization company, delicate operations give rise to a promotional image: Mascha B. gets 3D-scanned, processed and retouched digitally. A virtual office room is furnished and inhabited by Mascha B. and digital colleagues. The film ends with a mise-en-scène: while the final rendering builds up on the computer screen, the aria „Barcarole“ from the 1881 fantastic opera „The Tales of Hoffmann“ plays. In this opera the hero, Hoffmann himself, hopelessly falls in love with the almost perfect creation of physicist Spalanzani, the mechanical puppet Olympia.
Writer
Entrance and Exit of Mascha B. follows a young woman through a digital transformation process. In the premises of a big architectural visualization company, delicate operations give rise to a promotional image: Mascha B. gets 3D-scanned, processed and retouched digitally. A virtual office room is furnished and inhabited by Mascha B. and digital colleagues. The film ends with a mise-en-scène: while the final rendering builds up on the computer screen, the aria „Barcarole“ from the 1881 fantastic opera „The Tales of Hoffmann“ plays. In this opera the hero, Hoffmann himself, hopelessly falls in love with the almost perfect creation of physicist Spalanzani, the mechanical puppet Olympia.
Director
Entrance and Exit of Mascha B. follows a young woman through a digital transformation process. In the premises of a big architectural visualization company, delicate operations give rise to a promotional image: Mascha B. gets 3D-scanned, processed and retouched digitally. A virtual office room is furnished and inhabited by Mascha B. and digital colleagues. The film ends with a mise-en-scène: while the final rendering builds up on the computer screen, the aria „Barcarole“ from the 1881 fantastic opera „The Tales of Hoffmann“ plays. In this opera the hero, Hoffmann himself, hopelessly falls in love with the almost perfect creation of physicist Spalanzani, the mechanical puppet Olympia.
Director
"Notes from the Neighbourhood" observes, over the course of two years, an inner courtyard in Berlin, in which investors erect a new residential building for resale. As the construction progresses, a woman narrates the ups and downs of her contrary life, and the stagnation of her body.
Editor
2034 – The moon is moving towards the earth. The exact time as much as the consequences of the impact are unknown. Two different groups of teenagers are meeting each other on one of the last days on earth. What happens then has everything and nothing to do with the approaching moon.
Writer
Film about construction work and its discontent.
Director
Film about construction work and its discontent.
Producer
Ossi Viola and Lo Selbo have bet it all on one card: as ITACA they make Italo pop music for the 21st century. Their big dream: performing at the music festival in San Remo. An Italian tour could bring them to the next level. The days go by acrimoniously in rundown roadhouses; at night the duo plays dives along the Italian rustbelt. Not quite their image of bella Italia. Suddenly, this gamble seems completely insane. A 9 to 5 life would be so much easier. The crisis culminates when an unwelcome hitchhiker stumbles into their universe. As the dream threatens to shatter, the adventure begins.
