Ian Cunningham

Movies

The Personal History of David Copperfield
First Assistant Editor
A fresh and distinctive take on Charles Dickens’ semi-autobiographical masterpiece, The Personal History of David Copperfield, set in the 1840s, chronicles the life of its iconic title character as he navigates a chaotic world to find his elusive place within it. From his unhappy childhood to the discovery of his gift as a storyteller and writer, David’s journey is by turns hilarious and tragic, but always full of life, colour and humanity.
Hunter Killer
First Assistant Editor
Captain Glass of the USS Arkansas discovers that a coup d'état is taking place in Russia, so he and his crew join an elite group working on the ground to prevent a war.
Vampire Academy
Associate Editor
Rose, a rebellious half-vampire/half-human guardian-in-training and her best friend, Lissa -- a mortal, royal vampire Princess - have been on the run when they are captured and returned to St. Vladamirs Academy, the very place where they believe their lives may be in most jeopardy. Rose will sacrifice everything to protect Lissa from those who intend to exploit her from within the Academy walls and the Strigoi (immortal, evil vampires) who hunt her kind from outside its sanctuary.
Telstar: The Joe Meek Story
Assistant Editor
Set against a backdrop of early '60s London, Telstar is the story of the world's first independent record producer, Joe Meek. A maverick genius who enjoyed phenomenal success with Telstar – the biggest selling record of it's time – before bad luck, depression, heartbreak and paranoia led to his downfall.
The Deaths of Ian Stone
Assistant Editor
Deaths tells the story of an all-American guy who is murdered each day by horrifying pursuers, only to wake up in slightly different lives to experience the terror of being murdered again.
The Queen
Assistant Editor
The Queen is an intimate behind the scenes glimpse at the interaction between HM Elizabeth II and Prime Minister Tony Blair during their struggle, following the death of Diana, to reach a compromise between what was a private tragedy for the Royal family and the public's demand for an overt display of mourning.