Soultan Saladin

After a brutal assault on Pinuntun (Dolly Martin) and chef Mbah Mangun (Otig Pakis), the business is under the control of Saladin (Soultan Saladin). Then, Darmo Gandul (Panji Addiemas) comes back from self-discovery. He meets Retno (Ismi Melinda), the entertainer girl who wants to save her sister from the victim of the women's trafficking network to the other country. Darmo Gandul also discovers that his father's business empire is now a crime cartel. Darmo Gandul has to deal with Gato Loco's hordes (Eko Xamba), Saladin's men. Saladin's power and crime network is not simple. There are criminals and agents of international caliber in the grand design of making Saladin a ruler.

When a sheltered young woman becomes enamored with a struggling writer, she goes to great lengths to become involved in his creative process.

Cyntia, an American who works for a foreign NGO, came to the region between Pati and Blora (Central Java), conducted a study of Samin community. At the same time, two petty criminals escape from prison Blora and chose the village as a hideout.

Indonesian activist Soe Hok Gie experiences a political awakening during the tumultuous regimes of Soeharto and Soekarno.

In a neverland, King Wasit Aron organises forces to reclaim his throne that was seized by Abu Garin. The greedy Abu Garin is not satisfied, as he still wants to marry Wasit's daughter, Tirza, and get Wasit’s sacred stone. The battle between their two forces continues to go on. Then, King Wasit meets Rhoma, a wanderer who is always carrying a guitar. After the wanderer shows his power in fighting and his skill in healing the wounds of the King's daughter, Tirzah, King Wasit and his followers are successfully persuaded by Rhoma to convert to Islam.

About a teacher who tries to bring change to a backward village and is resented for his efforts.

While driving his car, Rhoma sees some car robbers in action. He notifies the police through radio and directly confronts the robbers. Shortly after, the police arrive and arrest the robbers. As a result, Rhoma and his wife are persecuted. Their son, Dedi, is kidnapped and they are asked for ransom. Rhoma does not inform the police for fear of his son’s safety. He carries the ransom by himself which they consider too small. They demand that Rhoma robs a bank. This incident shocks the public, especially when several newspapers label Rhoma as the ringleader. Rhoma is furious. He cooperates with the police to apprehend the gang of robbers.

If there is a typical Rhoma Irama formula, it’s a film with a love story, fights, six dangdut songs written by him and also a religious sermon.

Rhoma Irama and his Soneta Group visit various regions to preach religion. He receives both warm welcomes and accusations of commercialising religion. This challenge becomes Rhoma’s struggle. He tries to persuade his fellow professionals to avoid drinking and women. He also manages to help his future father-in-law who almost rapes Laila, his own daughter, in a drunken state. Despite opposition from the Al Muthainah college, Rhoma manages to convince them that music can be used as a means of preaching. Rhoma sings no less than seven preachy dangdut songs in this film.

Christina has to deal with a corrupt bank president father, a cutthroat and backstabbing sister, an unfaithful lover and a gigolo plotting to rob the father's office.

A little boy is told the tale about the development of Jakarta, when a village was divided into two, and causing the people to oppose each other. On one side, there is Anton while the other side is lead by Mahmud. Maulana, the village boy whom Anton has adopted, falls in love with Laila, the sister of Mahmud. This love affair irritates Majid, Mahmud’s right-hand man, because he has loves Laila, long before her meeting with Maulana. Maulana and Laila refuse to take sides between the two opposing sides, and try to reconcile them. But a battle is inevitable. In the end, Mahmud kills Anton; but Mahmud dies at the hand of Maulana, his future brother-in-law. Then Maulana runs to Laila’s house and confesses. Laila forgives him, but Majid cannot. He orders a boy to steal the gun of Sabeni, an informant, and he shoots Maulana with it. While the intention was to make this film a musical, it didn’t work as the “realistic world” and the “musical world” could not blend fully.

Love story in which the girl's parents disapprove of her boyfriend because he was accused of killing his former wife.