Jahar Ganguli

The widower land-lord fixes his wayward step-brother's alliance with priest's daughter. Groom disappears on wedding day, and he is forced to marry her. The brother comes back and when the elder brother dies, tries to dispossess the widow.

Pradyut Sen is an allopathic doctor who moves to Nabagram to run his practice. However, as the village already has an ayurvedic doctor, Jibon Sen, Pradyut develops a dislike for him.

Shudhu Ekti Bachhar is a romantic comedy that is based on a comical situation which finds the female protagonist having to marry a complete stranger according to her father's will. The stranger she is to be married is a funny boy whom she is at cross ends with. The story goes on with this baseline, that they agree to stay married for a year and the comedy rolls on there forth. There are many quarrels, misunderstandings and childlike fights, which all add to the comical content of the movie. All characters add life to the story with hilarious punch-lines and comical episodes. And in the end the two main leads falling in love with each other and living happily ever after.

Bireswar Vivekananda is a 1964 Indian Bengali-language biographical film about the Indian Hindu religious leader, Swami Vivekananda.

A story of love and sacrifice of a mother who did everything to protect her child ,even from her husband.

A writer meets five widows on a train to Puri. As the six lives begin to intertwine, the theme of the taboos of widowhood emerge; but so, too, does a philosophy of life and hope for the future. The performers collectively won Best Actress at India's National Film Awards in 1964.

A woman is murdered and a hand bill of a resort run by a young couple is found. Is the murderer headed for it? Who is next victim? All the boarders, including owners are under false name. Why? A policeman arrives, will he be able to stop?

The plot revolves with Raicharan's tragic life. He is the obedient servant of local zamindar and takes care of zamindar's son whom he addresses as Khokababu. One day the little son dies in an accident in river flood and he is blamed for the same. In a delusional state, Raicharan starts believing his own infant to be his much loved khokababu and brought him up only to return him to his master.

Biswanath or Bishu a young warm-hearted man, made a "Mukti Fauj" in Hell against Jamraj. He also planned to escape with Lolita, Heena, Rita, Ghosai babu and others. After a lot of hurdles, they managed to fly away from Hell. They came back to Earth with expectations, but unfortunately, time was changed. All of them faced some unbearable situations which really made them sad. Bishu came to know his wife got married to a wrestler. Lolita's boyfriend Montu da was busy with some other lady. All these experiences helped them realize the changing time. As a result, Bishu with his mates decided to go back to Hell. Earth was unable to give them sufficient space to live a happy life.

Drama movie in 1958 by Agragami

An underpaid middle-aged clerk finds a stone that changes iron to gold on touch.

A philanderer only son of a millionaire is attracted to a poor orphan artist, whose god-brother is a hater of rich people, and would go to any extent to get money off them.What would happen when the roles reverse?

The story is a simple tale of a great soul Sarbananda based on a simple village. Shambhu is a small boy raised up by his mother and grandfather. Shambhu is extremely mischievous and does things. Everybody in the village knows each other and all share a common feeling of love and concern for each other. But Shambhu belongs to lower caste and so every time he and his family is met with intense insult. Social stigmas like caste discrimination were strongly prevalent in those times. Purna da loves him but also hates his naughty ways. Meanwhile a Brahmin high class family residing in the same village too is plagued by problems of their own. One of the two sons of the family does not like earning a livelihood simply by performing prayers around. He does not learn his scriptures well or anything expected from a Brahmin boy. His family falls in trouble often and is considered the laughing stock for this.

When Abhoy gets engaged to Sabitri she starts to ridicule him as he is old fashioned and socially awkward. Will situations change for Abhoy?

darsha Hindu Hotel is a Bengali drama film directed by Ardhendu Sen based on the same name novel of Bibhutibhushan Bandyopadhyay.[1][2] This film was released on 31 May 1957 under the banner of Sreelekha Pictures

The film explores the tragic fall of feudalism in Bengal during the British Raj. The title of the movie and the story is a reference to the plot simultaneously exploring a platonic relationship between a beautiful, forlorn wife of an aristocrat and a career-driven clerk.

Swarupa, an introvert, fails to express her love to Kushal, who falls for Abala, a rich and beautiful woman. However, things take a sharp turn when greedy Abala leaves him for a wealthier man. Based on the story by eminent Bengali writer Subodh Ghosh who was also a member of the screen adaptation team.

Ananda, an upcoming writer leaves his village to pursue his writing career in Kolkata

Ambernath a well-educated Sanskrit pundit was different from his childhood. The way he thought and described everything was quite different from others. His master Jagannath Tarka Churamoni loved him a lot and after his death, Ambernath took his place. In such a situation Bani the daughter of local zamindar and Ambernath met. After few days, they got married. Bani were very skeptical about her husband and they were not happy with their relation. Later Ambernath left his wife and stayed alone. In the meantime, Bani also understood the affection and love she had for her husband. She came to know about life and commitment. One day Bani heard that Ambernath was very ill and he stayed in a lonely place. Bani rushed there and put her every effort to make him healthy. Later they came to know each other and lived happily.

Businessman Baikunth remarries after the death of his wife and is blessed with a second son. Years later, he leaves his wealth to his wiser elder son, which causes friction between the two brothers.

Kamona is a Bengali drama film directed by Nabendu Sundar. This movie was released on 4 March 1949 in the banner of Kirti Pictures. This is the second film of Bengali actor Uttam Kumar after Drishtidan and debut as the leading person crediting him as Uttam Chatterjee instead of Arun Kumar Chatterjee.

Bollywood 1949

A run-of-the-mill girl.

One of the early films of Chhabi Biswas featuring him as a leading man, before he came to be associated with the dominating patriarch roles that have become iconic in Bengali cinema, the film is a tale of the love, relationships and ideals of two generations. Nutubihari is an idealist who has given up his love for Kalyani for the sake of his beliefs. He marries Bimala and becomes a lawyer, fighting for the rights of the poor against the feudal lords. Meanwhile, Kalyani comes to ask refuge after she becomes a widow and is inexplicably accepted by Bimala with a lot of warmth. As the years pass Kalyani's daughter Mamata and Nutu's oldest son Arun fall in love and wish to get married. However, the new-found fame and fortune turns his head and Nutu begins to resemble all the ideals and vices that he had always despised. On the other hand in an ironical turn of events, Arun comes to occupy the position once held by his father, highlighting the generational conflict of ideals.

Niren Lahiri directs this social-minded melodrama about the complicated relationship between a traditional Hindu family headed by Madhab Thakur (Choudhury) and their progressive next-door neighbor Mukherjee (Chhabi Biswas). Thakur's daughter, Malati (Sheila Haldar), and Mukherjee's son, Robi (Robin Majumdar), run a school teaching traditional Hindu values which they hope will become a countrywide franchise. Their planned nuptials are impeded when Malati's older sister is forced to marry a Brahmin against her will, resulting in a full-scale revolt in both households. Eventually, the rift is settled, the hero and heroine marry, and a sort of Hindu-laden modernity reigns in the two families.

A comedy adapted from a successful play. The zamindar Damodar Chakraborty (Chakraborty) starts a school named after his wife and recruits a married couple as teachers. Manas (Ganguly in the role which had made him a stage star) and Niharika (Kanan Devi) pretend to be married in order to get the jobs. Their imposture, together with the fact that he is Hindu while she is Christian, produces complications.