Branislav Živković

World War II finally reaches a Yugoslavian lake, where a lifeguard shelters a refugee and her son.

Three prisoners, Combe from Rijeka, Menso from Bosnia, and Bogart from Belgrade, escape from prison. Their final destination is the city of their dreams - Hamburg. They temporarily part ways and agree to meet at the train station in Zagreb. First, each of them goes to his hometown. From there on, we follow three separate stories. In the first, Combe, in the shady harbor district of Rijeka, tries to get back at his former crime partner, Mrvi, who turned him in to the police. In the second story, we witness Mensa's relationship with his wife Riza and their children in a small Bosnian village. The third story depicts Bogart's love affair with a young teacher in a Belgrade suburb. Afterwards, at the train station in Zagreb, Bogart finds out from the newspaper that the police caught his friends. At the last minute, he changes the original plan.

A monotonous life of a timid clerk from Zagreb takes an unexpected turn when an easygoing slacker from Bosnia deliberately moves into his apartment.

A young man who long ago gave over the hard work of being a composer for the easy life of a rich man's son is bamboozled into slapping together a musical production. Having borrowed right and left, and plagiarized the works of a friend, he feels cheap, very cheap. He feels even worse when the awful thing is a success.

A poor writer discovers that a species of rats has banded together to impersonate humans and supplant them unnoticed, in a manner reminiscent of the transformations in Eugene Ionesco's Rhinoceros, or the covert conspiracy of pod-people in The Invasion of the Body Snatchers. This film's story is based on a book by the Soviet writer Alexander Grin.

For being unable to find any decent job, an unconventional young man of working-class background gives up of all sorts of employment, and accompanied by his girlfriend, he tells his story in front of film cameras.