Bob Gilbert

With a simple plot and not much else, this undistinguished western is about Gabe (Jack Beutel), a rodeo name whose penchant for gambling causes him to lose all the money he made and quickly look for a steady job. Gabe ends up on a ranch plugging away as a cowhand but cannot escape his affinity for horses. Lou (Steve Keyes) and his sister Nancy (Madalyn Trahey) own the ranch and Lou comes into conflict with Gabe when he decides to kill a wild Palomino. Gabe will not allow it because he knows the stallion can be tamed. Environmentalists and others should enjoy the bloopers which put moose in Oklahoma, a raccoon in the 'possum family, and several animals in the wrong proximity.

Billy the Kid fakes his own death at the hands of Pat Garret, but is forced to come out of hiding to stop a ruthless cattle baron from destroying a small frontier community.

Billy the Kid fakes his own death at the hands of Pat Garret, but is forced to come out of hiding to stop a ruthless cattle baron from destroying a small frontier community.

The owner of a silver mine, having repeatedly been the victim of the Silver Bandit, sends his clerk Spade Cooley who can neither ride nor fight west to investigate. The Sheriff has been unable to catch the bandit but when Spade finds him he will have to both ride and fight to bring him in.

A Hollywood singing-cowboy star with a big heart and an even bigger secret (he uses a double in most scenes because he can't ride, fight or sing) comes to the aid of a rancher about to lose his home on a rodeo bet.

Produced, written, and directed by the veteran Elmer Clifton (here for obscure reasons billed Elmer S. Pond), Red Rock Outlaw had the audacity to feature its novice star, Bob Gilbert (who also wrote the original story), as identical cousins -- one good, the other bad. The good Gilbert, a rancher, enjoys a campfire singalong with the members of s stranded girls' band, falling in love with Carolina (Ione Nixon), a bleach-blonde looker, along the way. The bad cousin, meanwhile, is scheming with neighboring rancher Jim Martin (Forrest Mathews) to have nice Bob killed so they can combine their properties. Produced in 16 mm back in 1946 or 1947 and released on States' Rights by Screen Features, Inc., Red Rock Outlaw was merely an excuse to showcase a series of country & western specialty acts, including Wanda Cantlon, who, according to an onscreen credit, introduced the song "Alimony" and supplied choreography.

Produced, written, and directed by the veteran Elmer Clifton (here for obscure reasons billed Elmer S. Pond), Red Rock Outlaw had the audacity to feature its novice star, Bob Gilbert (who also wrote the original story), as identical cousins -- one good, the other bad. The good Gilbert, a rancher, enjoys a campfire singalong with the members of s stranded girls' band, falling in love with Carolina (Ione Nixon), a bleach-blonde looker, along the way. The bad cousin, meanwhile, is scheming with neighboring rancher Jim Martin (Forrest Mathews) to have nice Bob killed so they can combine their properties. Produced in 16 mm back in 1946 or 1947 and released on States' Rights by Screen Features, Inc., Red Rock Outlaw was merely an excuse to showcase a series of country & western specialty acts, including Wanda Cantlon, who, according to an onscreen credit, introduced the song "Alimony" and supplied choreography.

Driving a herd of cattle to market, Jimmy finds the trail has been fenced off by an old friend of his. While the two sides try to settle the matter peaceably, a man from each outfit get together to try and start a range war between them figuring they will end up with the cattle. When cattle are rustled, Jimmy finds the clue, horses with shoes that make tracks that look like cattle.