Nitobe and Sakamoto are childhood friends who now work at the front desk of a capsule hotel. Nitobe has a particular fondness for philosophy and crustaceans. Sakamoto, meanwhile, is fixated on suicide. The capsule hotel draws a variety of guests, including a Finnish mother who has lost her child, a fugitive woman, and a researcher studying Daphnia. None of their lives ever intersect. They exist, but never cross, like cells in a capsule hotel. The themes of life and death are explored through a fragmentary view of the characters’ lives.
Erika
Are you using your egg and germ cells in a manner useful for the society and the humankind? Junko is nearly 30, nearing the traditional ‘best before’ of the Japanese society, and feels increasing pressure: without a partner candidate or even a particular wish to have children anytime soon, she decides to become an egg donor. And not just for the free Hawaii trip that would be the prize if her candidacy is successful. At a counseling session, she meets her niece Aki who has similar plans. Together, they soon see how competitive social and evolutionary rules can mess up the best human relationships, particularly when such rules are mixed with the fossilized attitudes of a society which is frantically hanging on to traditions.
A 16-year-old boy named Yu (Haruya Dan) lives with his mother but when his father remarries and demands Yu live with him, the boy faces heartbreak and responds with anger over the selfishness of his parents.
A road trip with a rebellious son, a reckless brother, and an uncontrollable pet turtle goes crazy.
Three monologues from three women. Interview, Rendezvous, and Trial.
