Second Assistant Director
Three women Smita, Giulia and Sarah from different parts of the world who have never met but they are bound by something intimate and unique.
Third Assistant Director
Paul is a down-on-his-luck screenwriter who picks up a drifter and offers him a place to stay. However, when the deranged stranger takes Paul hostage and forces him to write, their unhinged relationship brings buried secrets to light.
Assistant Director
We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.
