Henning Stöve

Movies

Second Thoughts
Editor
When Marie’s boyfriend proposes to her in front of his entire family, she doesn't know what to say and flees to the countryside to think it over alone. But her thoughts accompany her. They sit around her in flesh and blood: Her mother pesters her with baby names, exboyfriends climb down trees and a woman in a sari narrates her life in poems. Her would-be fiancé eventually joins her, clashing his own luggage of thoughts with hers. But what if you show your thoughts to each other? How much honesty can a relationship take? In her first feature, director Zora Rux, an apprentice of Swedish filmmaker Roy Andersson, tells a surrealistic story of the search for one’s true self in poetic tableaus.
Irgendwann ist auch mal gut
Editor
The life of Karsten, a mortician, isn’t going that well at the moment. Just in time for Christmas, his parents inform him during the festive dinner that they want to commit suicide together. In five days. Usually used to death, he tries everything to convince the dear mother Marion and the father Theodor, suffering from Parkinson’s disease, not to pursue their plan. But the conflict about the self-determined death opens up old wounds – and as Karsten’s own health deteriorates rapidly, it is no longer clear who needs to be saved.
Move
Lagerfeuersänger
Eleven moving dates, eight friends: Philipp, Wiebke, Jessica, Maria, Swantje, Michael, Thomas, Dina – all in their twenties and mutually lonesome. And always searching: For a new city, a new job, an own apartment, a new, or even an old love. The search is never-ending, and so they repeatedly find themselves at a ritual gathering: someone moving. Boxes are shifted from one side of Berlin to the other, or the length and breadth of Germany, from one abode to the next as one life is exchanged for another. In 3 ZIMMER/KÜCHE/BAD, director Dietrich Brüggemann portrays existences in which relationships, social networks and backdrops are in a constant state of flux; where best friends are the only, and therefore the most valuable constant. Humorous sketches of the self-conception of a generation for whom moving has become the symbol of a life on the go.