Carlos Paredes

It all started with a picture taken in 1974 in Lisbon, just after the Portuguese Revolution. She, the Revolution Hunter, tries to enter in that picture as if she could enter into a time she didn't belong and finally understand what it means to be part of a revolution or what it means to fight for a country. A film that explores the relationship between two generations, two different times and two different fights. As if we could transform a photograph by drawing on it. As if we could transform the present by drawing over the past.

Manoel de Oliveira directs José Régio's historical epic of religious and political power struggles. King Sebastião plans to make Portugal the world's Fifth Empire.

In a world where iron and land mix themselves creating unexpected cities, the wind blows life among leaves in the eternal rebirth cycle. This is the wind’s embrace.

The story of Father Antonio Vieira, a 17th-century Portuguese priest who lived in Brazil and worked for better treatment of the Indians and to abolish slavery.

After a stint in the army fighting in Angola, a soldier comes home to find his sweetheart has married his brother. He makes advances towards his sister-in-law, but she turns him down. Discouraged, the man meets a new girlfriend who vows to escape the town's crushing poverty even if she has to steal.

The camera shows the vivid paintings by late Júlio Régio, with a narrative by his brother, while guitar tunes underline the mood and rhythm of the cinematography.

Nineteen-year-old Julio heads to Lisbon from the provinces and gets a job as a shoemaker for his uncle Raul. But when he meets Ilda, a confident young housemaid who becomes a regular shop visitor, his working-class values collide with the bourgeois trappings of modern life.