Director of Photography
A man travels to the Argentine north following the leads of a mythical pre-Columbian entity in charge of the relatives’ sorrow. The roads at night, the inns and the large salina of Zelarayán’s poem reject anthropological shortcuts and build up a mystery that is perhaps as formidable as the very bearer of sorrow.
Director of Photography
In Rivera 2100, a corner house facing a railway’s warehouse in the suburbs of Buenos Aires, a young newlywed couple built, with its own hands, a house that was the beginning of their own cultural zeitgeist; a safe haven that irradiated music, art and freedom, in the midst of a country that was living its darkest and most violent time.
Director of Photography
Ricardo Vilca was one of the most transcendent artists in the Argentinean north-west. However, his person and his music remained in the shadows to bigger audiences for years. Like a work of destiny, his songs arrived to Buenos Aires through the voice of important musicians such as León Gieco and Divididos. With unknown archival footage, Vilca is a journey through his story and a tribute, trying to better understand the sources of inspiration that sustain his music.
Director of Photography
During the last dictatorship and in the first years of return to democracy in Argentina, the under movement suffered attacks, exiles, arrests, ridicule and disqualification for a large part of society and applause from a minor group of people. In that underworld, Transformism was located as a form of expression cultural and artistic. Bernarda is the homeland, deconstructs the gender binary from Lorca and those movements of culture of the 80 '.
