Fidel Collados

Documentary on the first hundred years of the history of the Prado Museum. Based on the exhibition "The 19th century in the Prado" (October 2007-April 2008). Study the first year of the Prado Museum, its evolution, the concept of the mentioned exhibition, the Museum Collection, the masterpieces and the restoration work.

What we tend to identify with the acting profession has little to do with what is really this profession. Thirty-six Spanish actors reflect on their work and contrasted their experiences. As thread, the contrast between the voices of veterans and images of young theater students , for whom everything is still possible. Among the many actors are interviewed Javier Bardem, Antonio Banderas, Victoria Abril, Carmen Maura, Fernando Fernán Gómez, José Luis López Vázquez, José Coronado, Emma Suarez, Alberto San Juan, Ariadna Gil, Ana Belén, Pilar Lopez de Ayala and many other.

Compilation of images of the amateur recordings of Madronita Andreu, Catalan intellectual of the nineteenth century, daughter of Dr. Andreu, famous for its pills and cough syrup.

Sofia introduces her three adult daughters to her new lover who is their age and happens to be a woman. The women, in particular Elvira find it extremely difficult to accept their mothers sudden apparent sexual reversal. The news pushes the neurotic Elvira to the point of nervous breakdown. Sol, the youngest daughter, writes a lude rock song about it and performs in front of them at a concert. The daughters plot together on how to get their mothers new girlfriend, a native Czech, and brilliant pianist, out of her life. Their plot goes terribly wrong and turns the film from a light-hearted comedy, into mildly amusing drama.

For this second film in the cult comedy series Torrente takes our fat police officer from Madrid to Marbella in Spain to investigate a villain’s plot to destroy the city with a missile. This James Bond style slapstick comedy became the most successful box-office film in Spanish film history beating out only the first Torrente film.

Surrealist master Luis Buñuel is a towering figure in the world of cinema history, directing such groundbreaking works as Un Chien Andalou, Exterminating Angels, and That Obscure Object of Desire, yet his personal life was clouded in myth and paradox. Though sexually diffident, he frequently worked in the erotic drama genre; though personally quite conservative, his films are florid, flamboyant, and utterly bizarre.

A single guy has a video recorder that when re-winded it rewinds his life too. One night He invites to dinner some friends and records the party and keeps rewinding the camera every time something goes wrong with unpredictable results.

Torrente, The Stupid Arm of The Law by Santiago Segura stars Javier Cámara as a corrupt, poor, delusional, sexist, egocentric, drunk and right-winged Madrid cop named Torrente. This over the top comedy shows Torrente on his search for heroin drug dealers and the outrageous characters he passes on his way. A cult film and one of the funniest Spanish films was the most successful box-office film.

Mommy's boy Juantxo is engaged. Dragged to the party by his friends Konradin and Paco, he loses his expensive wedding ring inside the body of a prostitute. Mafioso whorehouse owner Villambrosa finds the ring. Meanwhile Villambrosa's rival gangster Souza sends femme fatale Fatima to check things out. Juantxo and his friends are trying to get the ring back and in the process get involved in the war between gangs.

A gypsy girl, when her grandmother dies, goes in search of his mother who abandoned her as a baby

Ana works in an office where the things are going very badly. One night after having dinner with nasty rich people, she has a discussion with her husband. He dissapears and then the life of Ana changes: she has incredible luck in gambling.

Evilio, a deranged, knife-wielding maniac abducts three pretty young women and drags them to an abandoned building. He tells his bound and helpless captives that he will call their families one by one - if someone answers the phone, that captive will live; if not, a gruesome death awaits.