Cinematography
The dancers Cassia, Lia and Neusa are fired from a popular auditorium program after completing thirty years of age. Months later, they arrange a meeting to make plans for the future and make an assessment of their careers, doubts and uncertainties that involve like three black artists, of solid formation. From then on, mismatches and new encounters will define trajectories. An Afro-Brazilian melodrama that deals with possibilities of existence and resistance.
Director of Operations
The dancers Cassia, Lia and Neusa are fired from a popular auditorium program after completing thirty years of age. Months later, they arrange a meeting to make plans for the future and make an assessment of their careers, doubts and uncertainties that involve like three black artists, of solid formation. From then on, mismatches and new encounters will define trajectories. An Afro-Brazilian melodrama that deals with possibilities of existence and resistance.
Production Executive
The dancers Cassia, Lia and Neusa are fired from a popular auditorium program after completing thirty years of age. Months later, they arrange a meeting to make plans for the future and make an assessment of their careers, doubts and uncertainties that involve like three black artists, of solid formation. From then on, mismatches and new encounters will define trajectories. An Afro-Brazilian melodrama that deals with possibilities of existence and resistance.
Art Direction
Gabriel, with only 17 years old, lives this particular universe: anxiously awaits an answer. While life stays violent on the outside, days, hours and minutes of the storm seems paused inside the room 516 of a hospital. He's waiting the result of a test that can change his life.
Still Photographer
Helena Ignez's first film as a director is a homage to American architect and contemporary artist Vito Acconti, who made an urban intervention over a bridge in São Paulo, transforming that space for it to be used as shelter by nearby homeless people.
