Fiona Brands

Imprisoned in child detention, Jacob finds himself alone desperate to reach the outside world. Help from an unlikely source gives his predicament an even weirder twist.

As bombs fall on London, writer Agatha Christie decides it is time to kill off her most famous creation.

Karen, a 9 year old Icelander has always wanted to meet her London based actor father. Having fantasied about him for years, she realizes when they meet that he's perhaps not the father that she had wished for. This uncomfortable experience gives Karen both the strength and confidence to tackle the local bullies.

When a rare chance for a meeting with her estranged daughter presents itself, Rachel grabs it with both hands.

When friends Jessie and Belle go away for the weekend and drunkenly hook up, what seems like an awkward slip up to a firmly heterosexual Jessie is in fact an incredible betrayal to bisexual Belle.

As Boys On Film reaches the end of its teenage years, we take a look at those unique boys who go one step further, who excite, invigorate, and always impress, who break boundaries, shape their worlds and are more than what they appear. Volume 19: No Ordinary Boy includes ten complete films: Scott T. Hinson's "Michael Joseph Jason John" also starring Eric Robledo… Abhishek Verma's animated "The Fish Curry"… Dean Loxton's "Meatoo" starring Calum Speed and Warren Rusher… Amrou Al-Kadhi's "Run(a)way Arab" also starring Ahd and Omar Labek… Jannik Splidsboel's "Between Here & Now" starring Francesco Martino and Peder Bille… Jake Graf's "Dusk" starring Elliott Sailors, Sue Moore, and Duncan James… Ben Allen's "Blood Out Of A Stone" starring Alex Austin and Oisín Stack… David Färdmar's "No More We" starring Jonathan Andersson and Björn Elgerd… Leon Lopez's "Jermaine & Elsie" starring Marji Campi and Ashley Campbell… and Marco Alessi's "Four Quartets" with Laurie Kynaston.

A second-generation teen searches for a way to express their non-binary identity.

A queer Arab boy, Nazeem, looks up to his Muslim mother with awe. Later in life, it is only through being a drag queen that he holds on to their lost and fraught connection.

The fracturing distance separating generations is magnified through the clash or(of) views on personal technology.

A portrait of Victoria Sin, and the transformative power of drag.

Commissioned by the BBC & BFI, CLASH is a short experimental documentary critiquing Britain's obsession with period dramas, and how they erase the diverse reality of Britain today. This film - part parody, part candid interview - is a response to Humphrey Jennings' 1942 'LISTEN TO BRITAIN', a documentary used to propel a myth of national unity. CLASH, through the perspectives of underrepresented queer people of colour, critiques the myths we still tell ourselves on screen. Through candid interviews and staged period-drama sequences with our subjects - involving a hobby horse race in East London - our film explores the issues surrounding nostalgic heritage cinema, and how it erases the diverse landscape of Britain today.

Nine-year-old Anna has moved to a new town. Anna's mother sends her out to make some friends, but the children in the playground are unwelcoming. Apart from one boy, Búi. He encourages Anna to do a heroic deed, to show the other children what she's made of.

Layla is a struggling British-Palestinian drag performer whose confident façade hides their desperate desire for love. When their performance at a belittling corporate Pride event turns into a transgressive takedown, they are surprised to win the affection of Max, a charming, successful white gay man who is bewitched by Layla's power on stage. It sparks a thrilling romance from across the aisles of the LGBTQ+ community, as both Layla and Max negotiate how desire and identity can sometimes collide.