Fanny Wadman

To celebrate their engagement, Thea takes Jashan home — but his Indian roots and her family's Norwegian traditions clash in a chaotic Christmas.

Set in the 1920s, two drifters are being chased by the police after a failed train robbery.

Norwegian remake of the 1973 Czech film "Three Wishes for Cinderella" by Václav Vorlícek. Since her father's death, Cinderella lives with her cruel stepmother and spoiled stepsister, who treat her like a servant in her own house. During one of her daily escapes to the forest, Cinderella prevents a couple of men from hunting, amongst them the handsome Prince of the kingdom. Cinderella and the Prince immediately feel attracted to each other, but he is expected to find a suitable bride at the next royal ball, which Cinderella is not allowed to attend. Equipped with a great deal of courage and empowered by her three magical acorns, she decides to stand up for herself and determine her own fate. Will she be able to break free from her stepmother's tyranny and find true love?

In the aftermath of a nuclear disaster, a starving family find hope in a charismatic hotel owner. Lured by the prospect of a free dinner, they discover that the evening's entertainment blurs the lines between performance and reality. Will they wind up the spectators or the spectacle?

During a blizzard on the tundra, a Sámi woman is herding her reindeer when she is raped by a man. Her sister who is far away senses that something is wrong and starts looking for her. Wrapped in fear and confusion, both women will unite in their fight for revenge.

The film is a personal reflection on the 1970s and the traces the era has set. The film is also an exploration of Nils Yttris's circumstances, mindset and destiny.

Armor is an intimate and vulnerable portrait of a group of teenage boys where social status is everything, and being "man enough" is the ultimate achievement. The film explores the hidden desires, challenges and finally the actions of three boys who are all strongly influenced by the culture they themselves contribute to creating.

Anders moves from the city to a quiet small farm that belonged to his deceased parents and spends his days out in the forest, aimlessly chopping down trees. His only desire is to be out in nature, and to lose himself in the physical work. His attempt to escape is soon interrupted by the constant involvement of his pushy relatives who want to tell him what to do and how to do it. Soon it becomes clear that Anders has just traded in one claustrophobic existence for another.

The unemployed performance artist Gritt struggles to make sense, as she moves below the successful surface of Oslo.

12-year-old Anna has volunteered to clear garbage along a beach in Northern Norway. There, she falls in love with the group leader Aaron, who awakens something intense in Anna that she has never felt before.

Six people celebrate Christmas together close to the Swedish-Norwegian border. In no way will the old myth of the Yule Goat, a creature who knocks on doors around Yule, come to life and present a problem.

In this documentary we meet a group of people at the age between 72 and 100 years who attend writing courses, led by professional writers. What happens when the elderly get room to speak, write and discuss?

Joachim is retiring from base-jumping to become a father for the first time. But first he will stop at nothing to pull off his very last jump.

Joachim is retiring from base-jumping to become a father for the first time. But first he will stop at nothing to pull off his very last jump.

Three Swedish actresses work as waitresses in Oslo one summer. They use all their wits to get as much tips as possible. They plan to start a company and buy a house. They come to be our guides in the film and reveal a world of people doing things they don't want to do, playing roles they don't know why they're playing.

Conversation between Erik Skjoldbjærg and Stellan Skarsgard on the making of the 1997 film 'Insomnia'

One day in the life of Anders, a young recovering drug addict, who takes a brief leave from his treatment center to interview for a job and catch up with old friends in Oslo.

In a world of fast cars and jealousy, one man must make the ultimate choice between two worlds: a world of love, friendship and commitment, or a world he knows all too well: the world of the bachelor. Will he make the right choice? In a perfect world he would, but the wild rugged coast of Western Norway is no such place. It's a place where real men make difficult decisions forged by the ancient conflicts of men, women and nature. For one man it may just be too much