Cinematography
A metacinematic reflection on the nature of representation and the ongoing drug war in Mexico, Nicolás Pereda’s Flora revisits locations and scenes from the mainstream 2010 narco-comedy El Infierno, exploring the paradoxes of depicting narco-trafficking on film—its tendency both to romanticize and to obscure. To screen is both to project and to conceal.
Director of Photography
When she is fired from her only job in a series of infomercials, Amanda, an actress with little talent and whose film career is forgotten, decides to resume her career in the midst of an economic crisis that leads her to a questionnaire about her vocation, but also, that the shore to rethink its responsibility as the mother of Nicolás, a 7-year-old boy to whom she had not paid much attention until then.
Director of Photography
A pair of estranged offspring visit their parents in an abandoned Mexican village.
Director of Photography
In 1994, Mexican presidential candidate Colosio garnered attention for his democratic ideology and anti-corruption stance until he was shot through the head in Tijuana. The wondrous ColOZio, which is partly based on true events, starts three days prior with a prophecy to tripping friends Diego and Gael: save Colosio from death. The duo's dancing in a kaleidoscopic animated, almost 10-minute-long title sequence subsequently sets the tone for a playful, delightfully over-the-top road movie. Expect mythical apparitions, cartoony chases and plenty of drink and drugs.
Director of Photography
In the 15th century, a young goatherd living alone in a mountain hut feels a dark presence in the woods.
Director of Photography
Karla is a breast cancer survivor who is attending a speed dating event for cancer survivors. One man after another visits her table but they all seem impossible to talk to.
Cinematography
On a bleak island where monolithic concrete buildings rise above the windswept horizon lies work-colony #191286. Piwonka is one of a handful of migrant workers who are forced to work here under harsh conditions. He has been estranged for two months from his beloved wife when a fatal incident at the main drilling-tower occurs. Piwonka has a recurring dream of his wife where it feels like she's trying to communicate with him, to warn him perhaps, or guide his way.
