Jewel Maranan

Set against the turbulent backdrop of Iranian history over the last 40 years, Silent House tracks the fortunes of three generations of an upper-middle-class Iranian family. At the center of the story stands the century-old house in Tehran in which the family lived through both happy and tragic times.

Told through the tales of love of a retiring film projectionist and a late-blooming actress, the short documentary delves into the journey of Manila’s oldest movie theater from grandiosity to obsolescence.

In 1982, when the Russian invasion of Afghanistan was at its peak, more than 1.5 million inhabitants had to move to Iran looking for a new life. Taghi, born in Iran, wants to escape the ruthless discriminations Afghans are subjected to on a daily basis. Against all odds, he decides to move back to the country of his parents. But unexpected challenges await there for him.

A filmmaker explores why women are at the forefront of documentary filmmaking in the Philippines by chronicling their narratives of struggle and victories as they navigate the masculine filmmaking industry. Throughout the film, she discovers her own reflexivity as a filmmaker but most importantly, as a woman.

In the Claws of a Century Wanting explores the harsh lives led in the backstreets of the port, a world of busy working people, ships, cranes and stacks of huge containers. We follow the lives of five people exposed to the everyday violence that is poverty.

In the Claws of a Century Wanting explores the harsh lives led in the backstreets of the port, a world of busy working people, ships, cranes and stacks of huge containers. We follow the lives of five people exposed to the everyday violence that is poverty.

In the Claws of a Century Wanting explores the harsh lives led in the backstreets of the port, a world of busy working people, ships, cranes and stacks of huge containers. We follow the lives of five people exposed to the everyday violence that is poverty.

In the Claws of a Century Wanting explores the harsh lives led in the backstreets of the port, a world of busy working people, ships, cranes and stacks of huge containers. We follow the lives of five people exposed to the everyday violence that is poverty.

Thanh, Hoang, Phuong, Dinh and Loc, like many around them, carry stubborn scars from the Vietnam War, both in body and mind. They work in the gold mines surrounding their village, or search for landmines along paths previously used by tanks, in order to make ends meet. As they wait out the winter with songs, wine stolen from Loc’s wife, and musings about youth and their own survival, they are haunted by the detonations of bombs being excavated from the village’s soil. Together they reminisce about the war that has defined the boundaries of their lives, though they never fought it.

Virgie's family feeds on the fishes that lurk under the industrial ships of North Harbor. Their alternatives are packs of tasteless gelatin found in the same waters. One morning when the fishes are dead and the sea's color is that of milk, uncertainty is born.

A documentary on the struggle of millworkers, farmworkers, and people of Hacienda Luisita, Philippines.