Roger M. Rothstein

Birth : 1935-08-31,

Death : 1988-09-12

Movies

Violets Are Blue
Executive Producer
After fifteen years of traveling around the world, Gussie (Spacek), a famous photographer, returns to the Maryland coastal resort where she grew up. She meets her high school sweetheart Henry (Kline), now married and running the local newspaper he's inherited from his father. An awkward and tension-filled romance ensues.
Max Dugan Returns
Producer
An English teacher and struggling single mother has her life disrupted when the father who abandoned her as a child comes back into her life.
Two of a Kind
Producer
God has had just about enough of the human's attitude so he will destroy the planet very soon. It is up to a struggling inventor and a bank teller, both with very amateur criminal minds, to save the world.
I Ought to Be in Pictures
Executive Producer
Grandmother has nothing to say when Libby tells her that she is off to LA to look up Dad, a Hollywood screenwriter. Grandmother has been in a New York cemetery for six years and Dad has been out of Libby's life for 16 of her 19 years. Libby arrives in LA on a Tuesday and phones Dad the one night that Stephanie, who does Jane Fonda's hair, stays over. Stephanie is there the next morning when Libby decides she needs to tell her story face-to-face.
Only When I Laugh
Producer
A boozy Broadway actress comes out of a 12-week cure to face the problems of her best friends as well as her needy daughter. She tries to balance the terrors of returning to work with the demands of all around her with humor and insight, while staying off the booze.
Seems Like Old Times
Unit Production Manager
Writer Nick Gardenia is kidnapped from his California cliffhouse and forced to rob a bank. Now a fugitive, he seeks help from his ex-wife who is now a public defender and has remarried — to a prosecutor.
Seems Like Old Times
Executive Producer
Writer Nick Gardenia is kidnapped from his California cliffhouse and forced to rob a bank. Now a fugitive, he seeks help from his ex-wife who is now a public defender and has remarried — to a prosecutor.
Hero at Large
Unit Production Manager
An idealistic but struggling actor finds his life unexpectedly complicated when he stops a robbery while wearing the costume of Captain Avenger, a superhero character of a film he is hired to to promote. He decides to dabble at being a superhero only to find that it is more difficult and dangerous than he ever imagined.
Hero at Large
Associate Producer
An idealistic but struggling actor finds his life unexpectedly complicated when he stops a robbery while wearing the costume of Captain Avenger, a superhero character of a film he is hired to to promote. He decides to dabble at being a superhero only to find that it is more difficult and dangerous than he ever imagined.
Chapter Two
Executive Producer
George Schneider is an author whose wife had just died. His brother Leo gives him the number of Jennie Malone, and somehow they hit it off. And just when things are moving along, the memory of his first wife comes between them.
The Turning Point
Production Manager
As young dancers, they were best friends and fierce rivals. Deedee left the stage for marriage and motherhood, while Emma would become an international ballet icon. But when Deedee's teenage daughter is invited to join Emma's dance company and begins an affair with a young Russian star, the two women are forced to confront the choices they've made, the resentments they've hidden and the emotional truths they must face at the turning point.
The Turning Point
Associate Producer
As young dancers, they were best friends and fierce rivals. Deedee left the stage for marriage and motherhood, while Emma would become an international ballet icon. But when Deedee's teenage daughter is invited to join Emma's dance company and begins an affair with a young Russian star, the two women are forced to confront the choices they've made, the resentments they've hidden and the emotional truths they must face at the turning point.
The Goodbye Girl
Unit Production Manager
After being dumped by her live-in boyfriend, an unemployed dancer and her 10-year-old daughter are reluctantly forced to live with a struggling off-Broadway actor.
The Goodbye Girl
Associate Producer
After being dumped by her live-in boyfriend, an unemployed dancer and her 10-year-old daughter are reluctantly forced to live with a struggling off-Broadway actor.
Murder by Death
Associate Producer
Lionel Twain invites the world's five greatest detectives to a 'dinner and murder'. Included are a blind butler, a deaf-mute maid, screams, spinning rooms, secret passages, false identities and more plot turns and twists than are decently allowed.
The Sunshine Boys
Associate Producer
Lewis and Clark, aka The Sunshine Boys, were famous comedians during the vaudeville era, but off-stage they couldn't stand each other and haven't spoken in over 20 years of retirement. Willy Clark's nephew is the producer of a TV variety show that wants to feature a reunion of this classic duo. It is up to him to try to get the Sunshine Boys back together again.
The Stepford Wives
Associate Producer
Joanna Eberhart has come to the quaint little town of Stepford, Connecticut with her family, but soon discovers there lies a sinister truth in the all too perfect behavior of the female residents.
Serpico
Associate Producer
Frank Serpico is an idealistic New York City cop who refuses to take bribes, unlike the rest of the force. His actions get Frank shunned by the other officers, and often placed in dangerous situations by his partners. When his superiors ignore Frank's accusations of corruption, he decides to go public with the allegations. Although this causes the Knapp Commission to investigate his claims, Frank has also placed a target on himself.
Summer Wishes, Winter Dreams
Production Supervisor
Rita, a middle aged New York City homemaker, finds herself in an emotional crisis which forces her to re-examine her life, as well as her relationships with her mother, her eye doctor husband, her alienated daughter and estranged son.
The Effect of Gamma Rays on Man-in-the-Moon Marigolds
Production Manager
Middle-aged widow Beatrice Hunsdorfer and her daughters Ruth and Matilda are struggling to survive in a society they barely understand. Beatrice dreams of opening an elegant tea room but does not have the wherewithal to achieve her lofty goal. Epileptic Ruth is a rebellious adolescent, while shy but highly intelligent and idealistic Matilda seeks solace in her pets and school projects, including one designed to show how small amounts of radium affect marigolds.
Play It as It Lays
Production Manager
Burned-out B-movie actress Maria, depressed and frustrated with her loveless marriage to an ambitious film director, Carter Lang, who would rather work on his career than on his relationship with her, numbs herself with drugs and sex with strangers. Only her friendship with a sensitive gay movie producer, B.Z., offers a semblance of solace. But even that relationship proves to be fleeting amidst the empty decadence of Hollywood.
Play It Again, Sam
Production Supervisor
A neurotic film critic obsessed with the movie Casablanca (1942) attempts to get over his wife leaving him by dating again with the help of a married couple and his illusory idol, Humphrey Bogart.
The Panic in Needle Park
Associate Producer
A stark portrayal of life among a group of heroin addicts who hang out in Needle Park in New York City. Played against this setting is a low-key love story between Bobby, a young addict and small-time hustler, and Helen, a homeless girl who finds in her relationship with Bobby the stability she craves.
Harvey Middleman, Fireman
Assistant Director
Harvey Middleman (Eugene Troobnick), a New York fireman, lives a very ordinary life with his wife (Arlene Golonka) and children. After he rescues a beautiful girl (Patricia Harty) from a fire, he fancies himself to be in love with her, leaving his wife and seeking help, in the process, from a nutty Psychiatrist (Hermione Gingold).
Act One
Second Assistant Director
This autobiographical story traces the career of playwright Moss Hart. Moss struggles as a dramatic writer until he concentrates his efforts on writing comedy. He suffers through a series of professional and romantic failures before a meeting with George S. Kaufman which changes his fortunes.