Enrique Cárdenas

To live is to dream and to fight to communicate and ward off loneliness. In this sexually-charged experimental, two men find each other in a time of need.

Two men on the ground separate, we lose sight of them, the camera turns on its axis in a desert landscape; we see the dust, the mountains. We listen to a piano, the murmur of male voices, the characters move in and out of the frame while the camera rotates, in one of the already well-known film choreographies of the staging characteristic of the Mexican director.

This film confronts the failures of the Cuban economy, although it is made in a Guevara-like spirit of moral exhortation rather than criticism.