Mariola Kukuła

The movie is about three brothers and a sister. The brothers include a would-be tough guy thug, a sleazy lawyer and an anarchist. The anarchist and the sister (Maria Strzelecka) have a thing for each other that is more than just sibling affection. Each of them is facing a problem of their own making. A lot depends on how they deal with their issues, as there isn't much lower they can stoop other than being dead. In the beginning of the film there is a lot going on, which makes it a little hard to follow, but that goes along with the theme of chaos.

Panoramic view of a resort town in the summer of 1930. In seventeen episodes we get a glimpse at the microcosm of its colourful inhabitants and visitors, Poles and Jews, the high society and the desperately poor.

Bronek Pekosinski lives in Zamosc, Poland. He is probably 83 years old. He has no family and does not really know who he is. Everything about his life is fictitious: symbolic is the date of birth - the day World War II broke out, as well as his surname - after PKOS, an abbreviation of a charitable institution, and the place of birth - the Nazi concentration camp, from where his mother threw him over a barbed wire fence. Even his friends and guardians turned out to be false. Only his loneliness and his hump seem to be authentic. Two great powers have vied for young Bronek's soul: Roman-Catholic church and a totalitarian state. He fell into alcoholism. Partially paralyzed as the effect of cerebral hemorrhage, he is fired with an ambition of acquiring a mastery in a game of chess.

Partly thriller, partly dark comedy, the tagline of this film announce that any resemblance to real-life characters and situations were completely intentional. This had the audience guessing who the main characters were supposed to represent: those biznismeni and post-socialist yuppies who after 1989 teamed up with their former enemies to exploit Poland ruthlessly.