Krista Burāne

In a completely typical building, in a typical apartment, in a completely typical kid's room there stands a not at all typical wardrobe. Behind its doors, behind the dresses and blouses, the shirts and trousers that obediently live on the hangers, lives a secret darkness of the imagination from which some interesting characters appear and begin to live in the children's room. You only need to knock to see how the dust fairies start to play with others in the room - even starting to play the piano! This is a carefree story about the world which goes up! and down!

In a completely typical building, in a typical apartment, in a completely typical kid's room there stands a not at all typical wardrobe. Behind its doors, behind the dresses and blouses, the shirts and trousers that obediently live on the hangers, lives a secret darkness of the imagination from which some interesting characters appear and begin to live in the children's room. You only need to knock to see how the dust fairies start to play with others in the room - even starting to play the piano! This is a carefree story about the world which goes up! and down!

During Latvia’s centennial year, 15 filmmakers created each his own film portrait of a person living in Latvia on the background of centenary events. Documentary 2018 combines these stories into a unique poetic vision based on analogy with the documentary 235 000 000, a classic of the Riga school of poetic documentary cinema. This film is an attempt to make sure whether the codes of the poetic cinema are still relevant and accessible today.

Accomplished European scenographer and educator Andris Freibergs paints a self-portrait by shaping the stage for an imaginary production titled “Andris Freibergs”. He transforms himself into a space that contains close to eighty years worth of stunning success, tragic loss, birth and death. It is an attempt to create the perfect empty space – one that would simultaneously encompass everything and nothing, the beginning and the end.

Accomplished European scenographer and educator Andris Freibergs paints a self-portrait by shaping the stage for an imaginary production titled “Andris Freibergs”. He transforms himself into a space that contains close to eighty years worth of stunning success, tragic loss, birth and death. It is an attempt to create the perfect empty space – one that would simultaneously encompass everything and nothing, the beginning and the end.

Accomplished European scenographer and educator Andris Freibergs paints a self-portrait by shaping the stage for an imaginary production titled “Andris Freibergs”. He transforms himself into a space that contains close to eighty years worth of stunning success, tragic loss, birth and death. It is an attempt to create the perfect empty space – one that would simultaneously encompass everything and nothing, the beginning and the end.

For two months, the third-grade students at Cēsis’ New Primary School have been plan-ning and organizing their own graduation ceremony. Throughout this process, the teach-ers are only there to help, trusting in the children’s wisdom, responsibility and ability to organize themselves, make decisions and follow through. Preparations for the celebration involve all the school subjects, turning the school into a place of exciting discovery, where children learn by doing things that are important to them. They enthusiastically live life in the here and now, in all its difficulties and joy.

For two months, the third-grade students at Cēsis’ New Primary School have been plan-ning and organizing their own graduation ceremony. Throughout this process, the teach-ers are only there to help, trusting in the children’s wisdom, responsibility and ability to organize themselves, make decisions and follow through. Preparations for the celebration involve all the school subjects, turning the school into a place of exciting discovery, where children learn by doing things that are important to them. They enthusiastically live life in the here and now, in all its difficulties and joy.

For two months, the third-grade students at Cēsis’ New Primary School have been plan-ning and organizing their own graduation ceremony. Throughout this process, the teach-ers are only there to help, trusting in the children’s wisdom, responsibility and ability to organize themselves, make decisions and follow through. Preparations for the celebration involve all the school subjects, turning the school into a place of exciting discovery, where children learn by doing things that are important to them. They enthusiastically live life in the here and now, in all its difficulties and joy.

This creative documentary tells the story of women in art – what she has to sacrifice in her personal life and what choices have to be made in order to gain success in her career. The film explores life of artist, by following theatre director’s Mara Kimele's fighting relationships with her despotic grandmother Anna Lacis (widely known as Asya, whose life is closely tied to the names of Walter Benjamin and Bertolt Brech), cynical son Peteris (who is played by an actor) and work while she stages F. Dostoevsky's “Crime and Punishment”. Every character of film is an act. But does that make them any less real? And what is real in the world of art? Apart from its human character's, the film also has an animated one – the horse, who came into life through the first letter Mara wrote to her grand mother and has been following her ever since.

This creative documentary tells the story of women in art – what she has to sacrifice in her personal life and what choices have to be made in order to gain success in her career. The film explores life of artist, by following theatre director’s Mara Kimele's fighting relationships with her despotic grandmother Anna Lacis (widely known as Asya, whose life is closely tied to the names of Walter Benjamin and Bertolt Brech), cynical son Peteris (who is played by an actor) and work while she stages F. Dostoevsky's “Crime and Punishment”. Every character of film is an act. But does that make them any less real? And what is real in the world of art? Apart from its human character's, the film also has an animated one – the horse, who came into life through the first letter Mara wrote to her grand mother and has been following her ever since.

This creative documentary tells the story of women in art – what she has to sacrifice in her personal life and what choices have to be made in order to gain success in her career. The film explores life of artist, by following theatre director’s Mara Kimele's fighting relationships with her despotic grandmother Anna Lacis (widely known as Asya, whose life is closely tied to the names of Walter Benjamin and Bertolt Brech), cynical son Peteris (who is played by an actor) and work while she stages F. Dostoevsky's “Crime and Punishment”. Every character of film is an act. But does that make them any less real? And what is real in the world of art? Apart from its human character's, the film also has an animated one – the horse, who came into life through the first letter Mara wrote to her grand mother and has been following her ever since.

A tragicomedy about the actions of four youths during the 10th Latvian parliamentary elections, and in the 100 days afterwards. Each represents a different political party and set of beliefs. In a time when Latvia is dominated by political nihilism, this film explores the political ideals of young people and their motivation to work towards a better future for their nation – through their hopes, work, victories and disillusionment.

A tragicomedy about the actions of four youths during the 10th Latvian parliamentary elections, and in the 100 days afterwards. Each represents a different political party and set of beliefs. In a time when Latvia is dominated by political nihilism, this film explores the political ideals of young people and their motivation to work towards a better future for their nation – through their hopes, work, victories and disillusionment.

A tragicomedy about the actions of four youths during the 10th Latvian parliamentary elections, and in the 100 days afterwards. Each represents a different political party and set of beliefs. In a time when Latvia is dominated by political nihilism, this film explores the political ideals of young people and their motivation to work towards a better future for their nation – through their hopes, work, victories and disillusionment.

A tragicomedy about the actions of four youths during the 10th Latvian parliamentary elections, and in the 100 days afterwards. Each represents a different political party and set of beliefs. In a time when Latvia is dominated by political nihilism, this film explores the political ideals of young people and their motivation to work towards a better future for their nation – through their hopes, work, victories and disillusionment.

What does the question “to be or not to be?” mean? 86 year-old director Olģerts Kroders stages his fourth production of Shakespeare’s Hamlet at the Valmiera Drama Theatre. The theatre is more than merely his occupation, for he not only works there but also spends all of his time in it. The film depicts his routine and the rehearsal process up until the premiere, and provokes a dialogue using the four actors who have all played Hamlet in the different productions. Kroders’s life and the lives of the actors tell the history of Latvia and the fates of different generations.

What does the question “to be or not to be?” mean? 86 year-old director Olģerts Kroders stages his fourth production of Shakespeare’s Hamlet at the Valmiera Drama Theatre. The theatre is more than merely his occupation, for he not only works there but also spends all of his time in it. The film depicts his routine and the rehearsal process up until the premiere, and provokes a dialogue using the four actors who have all played Hamlet in the different productions. Kroders’s life and the lives of the actors tell the history of Latvia and the fates of different generations.

What does the question “to be or not to be?” mean? 86 year-old director Olģerts Kroders stages his fourth production of Shakespeare’s Hamlet at the Valmiera Drama Theatre. The theatre is more than merely his occupation, for he not only works there but also spends all of his time in it. The film depicts his routine and the rehearsal process up until the premiere, and provokes a dialogue using the four actors who have all played Hamlet in the different productions. Kroders’s life and the lives of the actors tell the history of Latvia and the fates of different generations.

What does the question “to be or not to be?” mean? 86 year-old director Olģerts Kroders stages his fourth production of Shakespeare’s Hamlet at the Valmiera Drama Theatre. The theatre is more than merely his occupation, for he not only works there but also spends all of his time in it. The film depicts his routine and the rehearsal process up until the premiere, and provokes a dialogue using the four actors who have all played Hamlet in the different productions. Kroders’s life and the lives of the actors tell the history of Latvia and the fates of different generations.