Luca Cafarelli

Russian front, January, 1943. It's hell: the flurries of sleet take the breath away and Sergeant Bisi can make out nothing in the landscape in front of him.

It is evening. Tarek is seventeen years old and is on his way to see his friends, who have asked him on the telephone to pass by the park first and buy a few grams of dope: nothing much, just enough for some fun. The boy buys the stuff in the dark park, but when he emerges finds that someone has seen him: a policeman in plain clothes, sitting in his own car. The man could simply confiscate the hash, intimidate him a little and then let him go, or he could decide to take him to the station and call his parents. But he opts for neither of these things. He tells the young man to get in the car and starts the engine. Where does he want to take him? The policeman is ambiguous, mysterious. What does he want from the teenager? Tarek is in check, he can’t just leave. The policeman makes him stay with him the whole night, driving around in apparently aimless fashion, stopping first in one place, then in another.

Giacomo, the main character, 35 years of laziness, is a man who doesn't know and doesn't want to fight. He is a introvert curmudgeon, a little bit nerd but not very social, who walks with the look downward on his device without giving to the people what they would like from him: only a little bit of attention and enthusiasm. He loses his job, he is left by his wife and coincidentally he remains closed in the women's bathroom of the art-house cinema, together with the owner's small dog.

When Peppe heard that Francesco Totti was going to retire he went into a coma. When he awakens, his wife tries to do everything possible to make Peppe believe that Totti is still the captain of the A.S. Roma.

The tragedy of our times as seen by those who'll have to learn to live the tomorrow.

Fin and his wife April travel around the world to save their young son who's trapped inside a sharknado.