Pilot
Uptight lawyer Peter Sanderson wants to dive back into dating after his divorce and has a hard time meeting the right women. He tries online dating and lucks out when he starts chatting with a fellow lawyer. The two agree to meet in the flesh, but the woman he meets -- an escaped African-American convict named Charlene -- is not what he expected. Peter is freaked out, but Charlene tries to convinces him to take her case and prove her innocence. Along the way she wreaks havoc on his middle-class life as he gets a lesson in learning to lighten up.
Pilot
A young female embezzler arrives at the Bates Motel, which has terrible secrets of its own. Although this version is in color, features a different cast, and is set in 1998, it is closer to a shot-for-shot remake than most remakes, Gus Van Sant often copying Hitchcock's camera movements and editing, and Joseph Stefano's script is mostly carried over. Bernard Herrmann's musical score is reused as well, though with a new arrangement by Danny Elfman and recorded in stereo.
Pilot
Sikes and Francisco are called in to a case when a mysterious young girl, who looks part Newcomer, part human, appears. Her huge, brutish counterpart tries to free her from the precinct, and their bizarre relationship turns out to be the result of a slaveship medical experiment. Meanwhile, Cathy and Matt are going to sex school, in preparation of becoming intimate, while Buck distresses his parents by his anti-human opinions.
Pilot
John Matrix, the former leader of a special commando strike force that always got the toughest jobs done, is forced back into action when his young daughter is kidnapped. To find her, Matrix has to fight his way through an array of punks, killers, one of his former commandos, and a fully equipped private army. With the help of a feisty stewardess and an old friend, Matrix has only a few hours to overcome his greatest challenge: finding his daughter before she's killed.
