Jonathan Cronin

The BBC's Horizon programme began in 1964, and since then has produced films looking at computer technology and the emergence of 'artificial intelligence'. Our dreams always begin with ideology and optimism, only for this optimism to be replaced with suspicion that AI machines will take over. However, as the Horizon archive shows, throughout each decade once we have learnt to live with the new emerging technology of the time, the pattern begins again. We become once more optimistic, before becoming fearful of it. The dream for decades had been for a computer with AI to be embedded within a humanoid robot, but just as scientists began to perfect machines with these qualities, something happened nobody expected. Today, AI systems power our daily lives through smart technology. We are currently experiencing a level of fear about the power of AI, but will we enter the next decade optimistic about all that AI can deliver - or fearful of its ability to control vast areas of our lives?

A criminal subculture operates among U.S. soldiers stationed in West Germany just before the fall of the Berlin wall.

Half-way through his 12-year prison sentence for an incompetent armed robbery, Jimmy Hands gets a lucky break: he's transferred to a prison from which he can probably escape. He convinces the governor to stage a musical in an old chapel next to the prison's outer wall. He rounds up volunteer actors and puts his escape plan into production. Two other barriers, besides the wall, confront him: the arrival of a nasty inmate, John Toombes, who insists on joining the escape, and Jimmy's feelings of attraction for Anabel, a social worker who agrees to appear in the play. Opening night approaches: is this Jimmy's breakout performance?

In 1939, boy-wonder Orson Welles leaves New York, where he has succeeded in radio and theater, and, hired by RKO Pictures, moves to Hollywood with the purpose of making his first film.

Upon receiving reports of missing persons at Fort Spencer, a remote Army outpost on the Western frontier, Capt. John Boyd investigates. After arriving at his new post, Boyd and his regiment aid a wounded frontiersman who recounts a horrifying tale of a wagon train murdered by its supposed guide -- a vicious U.S. Army colonel gone rogue. Fearing the worst, the regiment heads out into the wilderness to verify the gruesome claims.