Mieczysław Łoza

Detective thriller about a killer loose in the crowds. The film follows a sniper on his rounds looking for victims, while a police inspector, with few clues in hand, has to figure out the motive for the killings as well as who the psychopath is and where he might strike next. He uncovers that the mentally deranged sniper can't stand seeing people happy together in public places.

A psychological detective story about a police hunt for the murderer of young boys. The police comissioner ends up tracing the clues to his own home, where he has an adolescent son he has not been able to communicate with.

The young couple love each other. The boy is in constant work which will fit him, and in the end becomes a petty thief who cannot pay his debts anymore and decides to steal from homes where he pays scheduled visits to lonely housewifes. The girl works a nurse but is too sensitive in extreme cases. Running parallel to their story is a metaphor involving a castaway on a junkyard, who tries every means possible to get rid of the dog which becomes attached to him. In the end he attaches sticks of dynamite to the dog, but he breaks loose and the explosion wipes them both.

When Stanislaw Czermien is wrongfully accused of rape and murder, he decides to exonerate himself and track down the real perpetrator. He suspects him to be his own brother, Witold.

A precious jewel brought from India by a British general falls prey to his wife.

A quarry worker falls in love with a practicing doctor.

A Jewish man who escapes a Nazi transport hides in a Polish ski resort town by posing for photos with tourists dressed as a polar bear.

In the rugged mountain gorges and ravines of southeastern Poland, a new boss and his wife become a catalyst for violence.

Set in the beginning of Wold War II, when the Polish cavalry still fought with lances against German troops. LOTNA is about a white thoroughbred horse that passed through various hands in a military outfit.

A young academy soldier, Maciek Chelmicki, is ordered to shoot the secretary of the KW PPR. A coincidence causes him to kill someone else. Meeting face to face with his victim, he gets a shock. He faces the necessity of repeating the assassination. He meets Krystyna, a girl working as a barmaid in the restaurant of the "Monopol" hotel. His affection for her makes him even more aware of the senselessness of killing at the end of the war. Loyalty to the oath he took, and thus the obligation to obey the order, tips the scales.

A man has been found dead after having been hurled from a train. As security agents, police and a medical examiner piece together his identity, three accounts emerge: one set during World War II, one in the immediate aftermath of the war, and one in contemporary Poland.