Pistolero
The fight of a widowed and honest policeman against the prostitution mafia that murdered his mother and kidnapped his daughter.
A group of boys and girls rents their bodies to people from high social strata.
Jurado
Gran Valor works in a bar and has an extraordinary memory. After loosing in an entertainement TV show he decides to help his friends in the university.
The story revolves around Bebe (Santiago Bal) and Cacho (Tristan), two typical neighborhood boys who live different misfortunes in their constant search to conquer women. Bebe is half a blackmail and thinks he knows how to do them all, while Cacho is more shy and in love. Unexpectedly Bebe finds herself facing a relationship that advances faster than she thought, and that is why she decides to ask for some advice from her rogue neighbor, Don Carmelo (Darío Vittori), a veteran punguista who is in a couple with a beautiful woman much younger. Thus the plot is taking place between entanglements, alleged infidelities and an imminent marriage that no one expected.
Abel Amoroso, a cadet in a notary's house and responsible for taking the deposits to the bank, is kidnapped by a gang whose leader, Luis Santanelli, has an incredible physical resemblance to the cadet. The captor adopts the identity of his sosias, elopes with the loot, convinces investigators of his innocence, and marries Abel's girlfriend.
A young couple has established an unusual family role: she works and he does the housework. Until one day, the couple's best friend intrudes on the tranquility of the home.
The plot revolves around Jorge and Marta, who together with their two children form a typical middle-class Buenos Aires family in the 70s. One day, physically and mentally tired, she decides, a little reluctantly of Jorge, to go a few days of rest to Mar del Plata. As expected, the temptations of summer on the beach do not take long to appear, since Marta will try to seduce different types of heartthrobs. At the same time, her husband, who has been left in Buenos Aires alone, since the children of the marriage have gone to spend the summer in the fifth of some relatives, is also tempted to live a few days of single. Both, each with their own values, must decide whether or not to give in to their own temptations, but unexpected news will suddenly change the plans of each of them.
Catrasca is a photojournalist with a fondness for women of all kinds.
Catrasca (Jorge Porcel) is a man who works in a restaurant and in his spare time helps in a children's home. His problem is that he carries a family tradition that makes him cause catastrophes in his path, one of which takes his boss (Adolfo García Grau) to the hospital.
Upon leaving the hospital, Catrasca is run over by Graciela (Graciela Alfano), the daughter of Professor Galíndez (Osvaldo Terranova). This is how he meets this professor, who has a formula that says he will be the salvation of humanity, so he is the object of persecutions by villains such as Dr. Linda Winters (Moria Casán).
Alberto, who has been married to Laura for twenty years, meets Monica in his office, a serious and formal employee with whom he strikes up a friendship.
Alberto and Jorge are two typical "chantas", who are dedicated to deceiving people along with another friend, nicknamed "Palomita". One day "Palomita" is awarded a prize consisting of dollars and two tickets to Caracas, but it turns out that this decomposes and dies. His last wish communicated to his friends Alberto and Jorge is that they take care of his sister. Upon meeting her, she turns out to be a very beautiful girl, with whom they both get involved. Then together with her they get into trouble with a group of criminals and must leave the country, taking a flight to Caracas, where they arrive posing as an Argentine vedette and her two representatives.
The adventures and misadventures in the military service of a short-sighted boy from Chaco.
Friends Alberto and Jorge, who work together and live in the same building, are married to two sisters (Ethel and Gogó). Noticing that their sex life becomes boring, they cheat on them with co-workers. This is discovered and they are fired. Then, they get employed in a beauty institute, where they have many women at their disposal. Their wives learn of this mischief, and go to look for them at the institute, generating hilarious situations.
Rafael Suárez
"Pobres habrá siempre" is a rarity within Argentine cinema for many reasons. Its theme is the rebellion of a group of meatpacking workers around 1935 and the several reasons that justified it, but the film was shot at a time when workers and union struggles were very strange issues for local production.
