Santi Minasi

A pupil turns up to his new class for the first time. However, this pupil is different to the others, he's a frog in a class of rabbits.

After 20 years of living together, Carine, Fabrice and their son have a well-ordered daily life. While Carine is restricted to household chores, Fabrice watches TV all the time, each in their own space, their eyes no longer meet.

It all begins with a childhood memory: that day when the father of the future filmmaker Sebastiano d'Ayala Valva forces him to listen to certain music that initially terrifies him; a distant echo from the past that leads him to follow the trail of his mysterious ancestor, the Italian composer Giacinto Scelsi (1905-1988), who claimed that his music was directly inspired by the gods.

A poor miller gets tricked by the Devil and accidentally sells his daughter for a bit of gold. But Satan can't take her because she's too pure and has wept on her hands. So Satan orders the miller to cut her hands off. It's the beginning of the young girl's journey towards freedom.

We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.

Clémence is confined to her bed. Her future calls out to her, showing her places, people, and glimpses of other lives. But how can this future be realized if she remains bedridden? She must sift through her past and revisit a childhood that was not so happy after all, a time when danger could arise at any moment.