Tobias von dem Borne

"Borga" is Better. A Borga is a Ghanaian abroad living an excessive wealthy lifestyle. At least that's what they want everyone to believe.

The blind ex-commissioner Alexander Haller will never forget May 12, 2017. It is the day he lost his fiancée Kara and his eyesight in a bomb attack. When a mysterious note appears on a murder victim with exactly this date, his past catches up with him.

The director of an elite boarding school is set on fire in his own bed and dies. Haller investigates covertly as the new music teacher.

In France’s last presidential election, Marine Le Pen, a right-wing candidate, won over 30 per cent of the vote after an attempt to rebrand a party long associated with her controversial father, Jean-Marie Le Pen. See how three of her supporters faced similar obstacles in changing the narrative.

Tultepec, Mexico is known for just one thing: fireworks. The city manufactures more than half of all fireworks made in Mexico, a good percentage of which will be set off at the small town’s annual festival for San Juan de Dios.

Alma and Jan are having an affair and yet Jan does not want to admit it. In order to force him to recognize their relationship, Alma secretly takes Jan's small son, Juri on a trip. Accompanied by the delivery man Bruno, the two drive in the direction of Berlin. At a rest stop, he tries clumsily to get closer to Alma but she rebuffs him. In doing so, Alma unwittingly injures him in such a way that he drops all his inhibitions. Whereas Bruno until now was acting covertly in the hope of establishing contact, he now wants to take for himself what has been denied him.

Valentin (Wotan Wilke Möhring) thought it an excellent idea to let his best friend Theo (Fabian Busch) its new, large house for one night, so that the therein undisturbed with the attractive waitress Mörli (Claudia Eisinger) can enjoy. As the best-selling author and passionate chess player Theo currently has trouble

"Nothing Escapes My Eyes" is about a silent transformation of a place and a human being. Inspired by the texts of Edward W. Said, the poems of Mahmoud Darwish and Verdi’s opera Aida, the film depicts in a metaphoric form current issues of cultural identity, loss and the pressures to conform. With no dialogue, the film is backed by a musical excerpt from Aida whose lyrics express the difficulties of being loyal to one’s country and cultural identity. The personal and urban transformation tackles on issues of identity, loss and disorientation as a result of historical colonialism and contemporary globalization.