Jessica Hausner

This historical and analytical documentary draws attention to the background of the roots of "New Austrian Cinema" and presents Austria as a film country to be taken seriously. The audience gets to see rare early works by well-known filmmakers as well as shots of landscapes that served as a source of inspiration and locations that have produced important Austrian films since the end of the 19th century.

Alice, a single mother who is more dedicated to her work as a genetic engineer than to her teenage son Joe, develops a new variety of flower that is supposed to have the ability to make its owner happy thanks to its special chemical properties.

Alice, a single mother who is more dedicated to her work as a genetic engineer than to her teenage son Joe, develops a new variety of flower that is supposed to have the ability to make its owner happy thanks to its special chemical properties.

Alice, a single mother who is more dedicated to her work as a genetic engineer than to her teenage son Joe, develops a new variety of flower that is supposed to have the ability to make its owner happy thanks to its special chemical properties.

A "romantic comedy" based loosely on the suicide of the poet Henrich von Kleist in 1811.

A "romantic comedy" based loosely on the suicide of the poet Henrich von Kleist in 1811.

Christine is a wheelchair-using woman with severe multiple sclerosis. In order to escape her isolation, she makes a journey to Lourdes, the iconic site of pilgrimage in the Pyrenees Mountains, along with other people with varying disabilities. During her stay she begins to regain the use of her limbs. This is in contrast with others, who appear to have stronger faith than Christine but experience only slight, passing improvement. Her fellow pilgrims are eager to call it a miracle; however, as the pilgrimage draws to a close, exactly how accurate a claim this is becomes uncertain.

Christine is a wheelchair-using woman with severe multiple sclerosis. In order to escape her isolation, she makes a journey to Lourdes, the iconic site of pilgrimage in the Pyrenees Mountains, along with other people with varying disabilities. During her stay she begins to regain the use of her limbs. This is in contrast with others, who appear to have stronger faith than Christine but experience only slight, passing improvement. Her fellow pilgrims are eager to call it a miracle; however, as the pilgrimage draws to a close, exactly how accurate a claim this is becomes uncertain.

Frustrated, because he is forced to produce bad TV-shows, a manager of a TV-station, enters the station and manipulates the ratings, to initiate a TV-revolution.

Never at the sea.

This video installation pays unnervingly close attention to domestic routine, portraying a young woman in the kitchen methodically preparing food. This quotidian ritual slowly comes to feel like a sort of obsessive sublimation of more obscure psychic energies.

Twenty-eight well-known filmmakers living and working in Austria were invited by WIENER MOZARTJAHR 2006, to produce associative miniatures on Mozart. Requirement: they had to be one-minute artistic short films. The directors come from a whole range of different backgrounds, ranging from animated, experimental and short film to documentaries and feature films. The result is a multi-facetted sampler of diverse formal and contextual positions with regard to Mozart’s person and his influence on today’s society, art and culture. The contributions run the gamut from experimental-conceptual statements through socio-critical and documentary observations to pithy short feature films.

When Irene takes a position at a hotel deep in the woods of the Austrian Alps, she soon discovers the girl she replaced vanished without a trace. Is there a murderer on site, or are there even darker forces at work?

When Irene takes a position at a hotel deep in the woods of the Austrian Alps, she soon discovers the girl she replaced vanished without a trace. Is there a murderer on site, or are there even darker forces at work?

Rita is an outcast teenager in suburban Austria, misunderstood both at school, where she's disdained by classmates, and at home, where her staunchly religious mother and temperamental father bemoan her inability to fit in with their comfortable bourgeois life. When Rita sets out to seduce her school bus driver, she sets in motion a series of events that changes everyone's lives irrevocably.

Rita is an outcast teenager in suburban Austria, misunderstood both at school, where she's disdained by classmates, and at home, where her staunchly religious mother and temperamental father bemoan her inability to fit in with their comfortable bourgeois life. When Rita sets out to seduce her school bus driver, she sets in motion a series of events that changes everyone's lives irrevocably.

A movie about the possibility to be happy—or about the impossibility of the same. A young man interviews people on the street. He asks them about the substance of their lives in order to find answers for himself, but he cannot find any. Then, a young woman: after a couple of disappointments, she finds the happy side of life—she finds something like love. They meet each other…

A movie about the possibility to be happy—or about the impossibility of the same. A young man interviews people on the street. He asks them about the substance of their lives in order to find answers for himself, but he cannot find any. Then, a young woman: after a couple of disappointments, she finds the happy side of life—she finds something like love. They meet each other…

The heroine of the title grows up. Slights, dance school, a cinema of glances, of tender moments, of trivial pop songs. A cinema which takes time, makes observations and which continuously finds or invents opposite picture sequences for loneliness and breaking free...

The heroine of the title grows up. Slights, dance school, a cinema of glances, of tender moments, of trivial pop songs. A cinema which takes time, makes observations and which continuously finds or invents opposite picture sequences for loneliness and breaking free...

The heroine of the title grows up. Slights, dance school, a cinema of glances, of tender moments, of trivial pop songs. A cinema which takes time, makes observations and which continuously finds or invents opposite picture sequences for loneliness and breaking free...

A cheerless petrol station buffet. A woman creates for herself her own dream world, far away. A stranger only wants some petrol.

A teacher takes a job at an elite school and forms a strong bond with five students — a relationship that eventually takes a dangerous turn.

A teacher takes a job at an elite school and forms a strong bond with five students — a relationship that eventually takes a dangerous turn.