Hiroshi Suzuki

Like a noise rock Brave New World with echoes of Alphaville, this gorgeous black and white vision of Japan after a nuclear disaster pits chaos against control and secret agents against an oppressive government agency.

Follows the acting course completion of the stage play “Shinmitsusa” for the ENBU Seminar (acting school). The first half of the 4-hour film contains the process of making the stage play, and the second half is the actual stage performance.

A short story by Naoki Kato produced as a part of Sendai Short Piece Film Festival's movie production project “3.11 Tomorrow”. A 3 min 11 sec piece captured in film, driving nearly 1000 km in the land of Fukushima, which also was a location for Kato's commercial movie debut “Abraxas no Matsuri”.

Fired from his part-time job in a restaurant kitchen for absenteeism, rookie boxer Tamura has a lot to be angry and frustrated about in his life. But things start to change when he’s approached at the gym by the artist Hattori, who wants to use him as the new model for the manga character Yellow Kid. Yellow Kid first appeared in an American comic in the late 19th century, and Hattori revived him as an older character a century later.

Under Professor Furuchi, Kawano has been engaged in the development of a new vaccine against the unidentified substance which fell from outer space. People infected with it begin to attack other human beings for blood. The one and only way to prevent the attacks of the infected people is getting vaccinated and becoming one of them. Kawano has volunatrily chosen to be infected for absorbing in the research. His girlfriend Taeko is worried about him and visits the laboratory. She tries to rescue Kawano in cooperation with his friend Sawamura, a medical practitioner in town: meanwhile, the mysterious black substance has started pouring down from the sky...

Hasegawa is writing a sequel to his previous novel, based on a true character who murdered 9 people on the street, with the premise that the killer had a brother. The main character in his new novel, Harumi, drops out of high school and leads a quiet life, unable to understand his brother. He is scared that the same blood runs in his veins but is also enraged by the fact that his brother’s life is consumed as material for novels by many writers. A novelist, Hasegawa faces limitations in making being able to make fiction as real and cruel as it is in reality. Hasegawa hears from a witness how a murder happened but he cannot be sure if it is a true event or from her imagination. One day, Hasegawa encounters Harumi… This is an obscure yet attractive film that extends its style from Kurosawa Kiyoshi to David Lynch. The title, A Bao A Qu, comes from a shapeless being that earns its shape as the pilgrim of a true heart near him featured in Indian religion and The Arabian Nights.