Self
The Unabridged Mrs. Vera’s Daybook tells a story of historic activism and community art through the works of two San Francisco artists and long-term AIDS survivors. During one of the darkest periods in US history, two men decide to bring joy and color to a broken community for which an entire movement has emerged. Supporters, fellow activists and members of the queer art community join the film to help paint this vivid portrait of perseverance, compassion and outrageous dime-store fashion.
Self
20 years after Gendernauts, Monika Treut seeks out the pioneers of the transgender movement back then to find out how their lives and their activism have evolved, how they have grown into their identities and how their energy continues to have an impact today.
This movie is a queer history of the environment, taking root in the powerful paradigm change: to switch from ‘Earth as a mother’ to ‘Earth as a Lover’.
Director
With a poetic blend of curiosity, humor, sensuality and concern, this film chronicles the pleasures and politics of H2O from an ecosexual perspective. Travel around California with Annie, a former sex worker, Beth, a professor, and their dog Butch, in their E.A.R.T.H. Lab mobile unit, as they explore water in the Golden State. Ecosexuality shifts the metaphor “Earth as Mother” to “Earth as Lover” to create a more reciprocal and empathetic relationship with the natural world. Along the way, Annie and Beth interact with a diverse range of folks including performance artists, biologists, water treatment plant workers, scholars and others, climaxing in a shocking event that reaffirms the power of water, life and love.
Director
Beth Stephens and Annie Sprinkle activate the metaphor "Earth as lover" and join the fight against mountain top removal (MTR) in Appalachia.