Irina Shatalova

The film’s action happens in the Donbass in our days. The protagonist is the Slovak Mira, who leaves his boring life of an émigré in England to go to the Luhansk People’s Republic. He sees his mission in the restoration of symbols of the Soviet empire: the monuments to Lenin, to miners, to workers...

Through unique and candid interviews the film tells the compelling and tragic stories of the six women – last survivors of the Gulag, the brutal system of repression and terror that devastated the Soviet population during the regime of Stalin.

A team of mathematicians is working together on a big project. Excitement of discovery, hope and disappointment, competition and recognition are shown from an infinitely close distance. Scientists united by the idea of discretization, which, in short, means: constructing continuous objects from basic building blocks. Akin to the scientists' search for the right discretization of continuum, this film itself is composed of fragments - individual characters of different ages, temperaments and scientific approaches - which form a single continuous melody. The question of where the boundaries lie between mathematics and the lives of those who are involved in it and how much they are willing to sacrifice is as important as the search for precise scientific answers. A unique and unprecedented dive into the unknown world of mathematicians.

The documentary project The Term was conceived in May 2012. When the directing trio commenced mapping the Russian sociopolitical landscape, Vladimir Putin had just settled into the Kremlin for his third term. The original experimental format of “documentary bulletins,” which were published daily online, allowed for wide-ranging content; in the feature film version, however, the filmmakers focused solely on the members of various opposition groups. Nevertheless, the work’s neutral position remains and viewers have to interpret the objectively presented situations for themselves. The main characteristics of this strongly authentic movie include close contact with the protagonists, precise editing, and an effectively controlled release of information.

A Russian boy gets a heart transplant in Italy. A lot of people were by his side on his long journey full of hardships, except for his mother.

A Russian boy gets a heart transplant in Italy. A lot of people were by his side on his long journey full of hardships, except for his mother.

A Russian boy gets a heart transplant in Italy. A lot of people were by his side on his long journey full of hardships, except for his mother.

They are the experts of their job. Over a hundred thousand professionals. They are brave, courageous yet simple Russian men. Their families await them but for their country they simply do not exist. In their homeland they are unemployed.

With capitalism and corruption becoming more entrenched in Russia, a father and his teenage son gear up for a yearlong political campaign to unseat President Putin in the 2008 elections and shift the country back toward socialism. Aliona Polunina's thoughtful documentary follows Anatoly and Andrei in their struggle to recreate a revolutionary fervor in a society that seems to be embracing the materialist values of the West.

Sometimes traditions and rules of generations of a whole kind interfere with the personal life of one person. But he resigns himself to this, remaining eternally faithful and faithful ...

Anything can be sold and bought in our modern world. Virginity too. How much is its worth in dollars? Is it worth keeping till marriage? These are the questions girls ask nowadays. But is virginity the only thing a modern girl is ready to sell? Vitalij Manskij’s film follows the stories of three teenage girls from the provinces who come to Moscow wanting to succeed. Each of them has her own plan. One girl hopes to enter popular reality TV show “House 2”. The second thinks she is the new Madonna, or at least, another Britney Spears. The third girl is ready to sell her virginity to get the money she needs for her studies.

Provincial students of theater schools come to Moscow for a progressive art festival. This is the story of a clash between the capital and the province, young talents and stars, the "old" school and the "new"; a story that is looped - because it is repeated with each generation.