Sari Ezouz

The extraordinary story of three Hungarian-Jewish sisters who were raised in communist Budapest of the 1970s to become chess masters.

Seven years after completing an Israeli Defense Course for female combat soldiers, director Hen Lasker returns to take a deeper look at the place where she first fell in love with a woman. Over the course of 66 days and nights, Lasker shoots a fly-on-the-wall documentary that allows unprecedented intimacy into the lives of the trainees and commanders of the Israeli army. The dichotomy of the innocence of these baby-faced trainees with the heavy burden of military service is a central theme of the film, illustrated in a scene where they discuss losing their virginity while waiting their turn to fire a machine gun. But it is the director’s relationship with Smadar, a breathtaking commander struggling to mask her gentle soul with a strict military persona, which makes the film truly enchanting. The intersection of love, duty, and personal growth thrive through to the film’s surprisingly moving finish.

Or shoulders a lot: she's 17 or 18, a student, works evenings at a restaurant, recycles cans and bottles for cash, and tries to keep her mother Ruthie from returning to streetwalking in Tel Aviv. Ruthie calls Or "my treasure," but Ruthie is a burden. She's just out of hospital, weak, and Or has found her a job as a house cleaner. The call of the quick money on the street is tough for Ruthie to ignore. Or's emotions roil further when the mother of the youth she's in love with comes to the flat to warn her off. With love fading and Ruthie perhaps beyond help, Or's choices narrow.

Or shoulders a lot: she's 17 or 18, a student, works evenings at a restaurant, recycles cans and bottles for cash, and tries to keep her mother Ruthie from returning to streetwalking in Tel Aviv. Ruthie calls Or "my treasure," but Ruthie is a burden. She's just out of hospital, weak, and Or has found her a job as a house cleaner. The call of the quick money on the street is tough for Ruthie to ignore. Or's emotions roil further when the mother of the youth she's in love with comes to the flat to warn her off. With love fading and Ruthie perhaps beyond help, Or's choices narrow.