Pierre-William Glenn

A personal and moving portrait of actor Johnny Hallyday.

The epic life story of Alice Guy-Blaché (1873–1968), a French screenwriter, director and producer, true pioneer of cinema, the first person who made a narrative fiction film; author of hundreds of movies, but banished from history books. Ignored and forgotten. At last remembered.

In June 2015, forty-five years after OUT 1 was made, the filmmakers went to Paris to interview cast and crew members and to revisit some of the film’s most significant locations. THE MYSTERIES OF PARIS features new contributions from actors Bulle Ogier, Michael Lonsdale and Hermine Karagheuz, cinematographer Pierre-William Glenn, assistant director Jean-François Stévenin and producer Stéphane Tchal Gadjieff, but also rare archival interviews with actors Jacques Doniol-Valcroze and Michel Delahaye and, most prominently, illuminating statements by director Jacques Rivette himself from two different archival interviews.

A very special encounter between legendary American cinematographer Vilmos Zsigmond and young French director Pierre Filmon. A personal journey with the brightest shadowmaker and his friends.

Directed by Pierre-William Glenn

Documentary portrait of the actress Romy Schneider, in which director Frederick Baker tries to form an overall picture from the facets of image, myth, real life and screen persona.

Lucette and Edouard: Two lovers passionate about sex, money and life. He is a spoiled but penniless child who wants it all while she is a celebrated figure of la vie parisienne who knows what she wants and what she is worth. Edouard is marrying a young, pretty and rich heiress. He comes to confess this to Lucette and to make their parting official, but he doesn’t want to leave her. He struggles with all his might to hide his betrayal but her opportunities to learn of it are countless and unpredictable.

In this short film from 2005, Pierre-William Glenn, shooting from the back of a motorcycle, retraces the steps Cléo takes through Paris in CLÉO FROM 5 TO 7.

In this short film from 2005, Pierre-William Glenn, shooting from the back of a motorcycle, retraces the steps Cléo takes through Paris in CLÉO FROM 5 TO 7.

A strange investigation doesn’t erase the regrets of a grieving woman cop. Every four years, the past catches up with her. Every four years this woman is very afraid. Her fear is such that she feels it could kill her because in her dreams reality begins.

Filmmakers from all over the world provide short films – each of which is eleven minutes, nine seconds, and one frame of film in length – that offer differing perspectives on the 9/11 terrorist attacks.

A jazz singer and a British jewel thief are brought together by their mutual desire to forget the past.

Jeanne attends the birthday party of a friend of her husband. There she meets a dancer named Marie and there is instant chemistry between them. Jeanne falls for Marie and they embark on an extramarital affair.

This is a psychological drama about Louis Riquier (Charles Berling), a veteran of the Algerian war and a divorced father whose wife (Beatrice Palme) has custody of their children and who barricades himself with the kids in his country house. The police and the press surround the house, but he does not want to surrender. Instead, he gets more and more violent. Manipulated by their father, the kids go along with the scenario, taking it as a game. The film has as background the turbulence of 1968, with all its left-wing political implications. As in the director's previous film (Vieux fusil (The Old Gun), the gun also has multiple purposes here. Literally speaking, it is the instrument of crime; metaphorically, it is the force that would liberate the poor victim from his tragic fate. But the hero is just too violent and emotionally disturbed to evoke one's pity.

Once a successful dancer, Miriam has abandoned her career to bring up her son, Serge, after her boyfriend walked out of her.

This "heist" film tells the story of a robbery in a stadium during the Le Mans 24 hour motorcycle race. Throughout the film are constant references to other movies in the genre. A policeman investigating the robbery is surprised to discover that the heist bears striking resemblance to the robbery depicted in Stanley Kubrick's 1956 film, The Killing. The robbery itself was perpetrated by Bernard, an ex-racer who dedicates the theft to a dead peer. He enlists the help of Thierry and several others to steal 6 million francs from the gate. He and his gang then hideout in the stadium until the race is over. Things are working against Bernard though. Two martial-arts experts try to cut in on the action. A gang member's girlfriend squeals to the cops, and an Arab assistant is killed.

This "heist" film tells the story of a robbery in a stadium during the Le Mans 24 hour motorcycle race. Throughout the film are constant references to other movies in the genre. A policeman investigating the robbery is surprised to discover that the heist bears striking resemblance to the robbery depicted in Stanley Kubrick's 1956 film, The Killing. The robbery itself was perpetrated by Bernard, an ex-racer who dedicates the theft to a dead peer. He enlists the help of Thierry and several others to steal 6 million francs from the gate. He and his gang then hideout in the stadium until the race is over. Things are working against Bernard though. Two martial-arts experts try to cut in on the action. A gang member's girlfriend squeals to the cops, and an Arab assistant is killed.

This "heist" film tells the story of a robbery in a stadium during the Le Mans 24 hour motorcycle race. Throughout the film are constant references to other movies in the genre. A policeman investigating the robbery is surprised to discover that the heist bears striking resemblance to the robbery depicted in Stanley Kubrick's 1956 film, The Killing. The robbery itself was perpetrated by Bernard, an ex-racer who dedicates the theft to a dead peer. He enlists the help of Thierry and several others to steal 6 million francs from the gate. He and his gang then hideout in the stadium until the race is over. Things are working against Bernard though. Two martial-arts experts try to cut in on the action. A gang member's girlfriend squeals to the cops, and an Arab assistant is killed.

During the 1976 Soweto uprising, a white school teacher's life and values are threatened when he asks questions about the death of a young black boy who died in police custody.

A rock star-turned-bum, his vocal chords severed at the height of his career for the love of a woman, drunkenly roams the city, torn apart by sponsored race riots. When accused of murder, he may have the chance to get revenge on the magnate who maimed him.

In a post-apocalyptic future, an international sport has been established where a driver of a computerized truck must drive across country to an established terminus and not be stopped by other vehicles. The lead truck, called "Monster" has been created by a boy genius and is to be driven by a woman through the course. The only problem is the computer guidance system fails and she ends up in uncharted territories. There she encounters leather-clad hoods who torture her and eventually kill her. Before dying she tells a fellow prisoner about the truck and he uses it to escape.

In a post-apocalyptic future, an international sport has been established where a driver of a computerized truck must drive across country to an established terminus and not be stopped by other vehicles. The lead truck, called "Monster" has been created by a boy genius and is to be driven by a woman through the course. The only problem is the computer guidance system fails and she ends up in uncharted territories. There she encounters leather-clad hoods who torture her and eventually kill her. Before dying she tells a fellow prisoner about the truck and he uses it to escape.

Marc and Laurent, two worrying misfits, break into a large isolated property in the middle of the countryside. Marc discovers with amazement that the place belongs to his idol, the movie star Jessica Melrose, of whom he is crazy. After a strange night, in the morning, Jessica meets the two "explorers" who will make her live a day of waking nightmare .

A well-known business lawyer is shot dead in the courthouse. A commissioner of the Criminal Brigade is in charge of the investigation and is helped by a journalist.

In a futuristic society, contestants pit their survival skills against each other in a fight to the death for cash prizes, and the contest is aired live on television.

Martin Terrier wants to quit his job as a hired hitman, but his organized crime employers are unwilling to see him turned out to pasture, Terrier knows too much, and he is still useful to the organization. He escapes to the countryside where he meets Claire, and the two soon fall in love. Back in Paris to confront his employers, Terrier learns that they've stolen all his money from the bank. They give him an ultimatum—do one last job for them and he gets his money and his freedom...

Edouard Binet, an aimless Frenchman, has been travelling in North Africa for many years, and is sailing to Belgium. En route, he meets Sylvie Baron. He introduces her to Nemrod Lobetoum, a rich Egyptian carrying valuable jewelry, and Sylvie and Nemrod become friends. Their friendship escalates to love, which makes Edouard jealous. Days later, Edouard arrives at a rooming house owned by Mme. Louise Baron, Sylvie's mother, wearing blood-stained clothes. It appears that Nemrod was killed on a train after he arrived in France, but Edouard denies any knowledge of what happened. Sylvie suspects that Edouard is responsible for Nemrod's death, but by now her mother has become Edouard's ally.

A pathetic police chief, humiliated by everyone around him, suddenly wants a clean slate in life, and resorts to drastic means to achieve it.

Two men break out of prison; a rival gang ambushes them. One is mortally wounded and tells the other, Mickey, to take him to the estate of a retired robber, Noel, who lives in comfort with his lovely and beloved wife, Nicole. The man dies, and Mickey, a menacing hothead, demands money of Noel. A few days later, Mickey returns to the estate, shoots up a dinner party and threatens them again. Noel sends Nicole to an hotel and goes to his old gang to help him hunt down the dangerous Mickey. Mickey has other problems, too, including heartache for a daughter he hardly knows. Young, eager cops tail Nicole, and all are on a complicated collision course.

In the 1930s a young fellow, Simon Chalumet, is sent to a military school by his overbearing father, an ex-soldier who has little sympathy for his son's more gentle temperament, or for his interest in films.

Hoping to make a fresh start, Léo, a jazz musician, takes up temporary residence with his friend Bony, a young writer who is struggling to get his work published. One evening, Léo strikes up an acquaintance with a woman taxi driver, Cora; in spite of her impulsive and moody temperament, he cannot help being attracted to her. On the spur of the moment, Cora invites Léo to make love to her. When Bony meets Cora, he too finds her irresistible, but he lacks Léo’s self-confidence to make his move. Cora is not a woman that any man can possess readily. She is like a wild animal, a creature that revels in its freedom. Will either Léo or Bony be able to tame her...?

Nelly, a restless young woman abandons her bourgeois friends and a steady relationship for the unemployed wild, leather-clad bad boy Loulou, whose charms include focusing his energy into sex.

Laurence, a young schoolteacher from Lyon, takes a week's leave. During the break, she reflects on her career and her personal life.

Two little criminals without major, dream of adventure and easy life. They agree to go to work in the Poitou as representatives of musical encyclopedias luxury. But their friend Valerie arrive from Paris and just changes their life.

In a future world where the disease has been finally defeated and everything can be sold, even the crude spectacle of death, the rare case of a dying woman becomes the morbid theme of a revolutionary reality show, broadcast through the curious eyes of a peculiar camera.

A young American girl and a young French boy meet in Paris and fall in love, with the assistance of an old man and his stories.

Franck Poupart is a slightly neurotic door-to-door salesman in a sinister part of Paris' suburbs. He meets Mona, a teenager, who's been made a prostitute by her own aunt. Franck would like to change his life and also save Mona from her aunt. Murder is the only solution.

After an avalanche of snow crashes into their ski resort, a holiday at a winter wonderland turns into a game of survival for a group of vacationers.

A slice of life of a group of young working class friends in a Northern French village coming to the end of their school years and embarking upon adult life. The film follows the choices and decisions made for their futures.

Nicole, nurse in Grenoble, is raped one night by four men. Deeply scarred, emotionally and physically, she thinks she will never recover from the trauma. Following a friend's advice, she decides to file a lawsuit.

French essay film focusing on global political turmoil in the 1960s and '70s, particularly the rise of the New Left in France and the development of socialist movements in Latin America.

Henri Savin has managed a trucking company for his lover, Dominique Montlaur, for many years. Now he is planning to leave her for Julie Manet, the woman he has made pregnant, and Dominique is hysterical. She first threatens suicide, then shows up at a meeting of Savin and Julie. Dominique tries everything she can think of to break Savin and Julie apart, to no avail. Frustrated in her efforts, she jumps off a cliff and dies. Savin insists that he and Julie lie to the police about the encounter, although Dominique's death was a suicide and therefore they had no direct hand in it. Detective Waldeck investigates Dominique's death.

The story follows the life of a regular German women Leni Gruyten during the 1930s and 1940s. Through her interactions with friends, family and other people she knows, the regular folks' perception of the Nazi era is shown.

Paris, France, 1942, during the Nazi occupation. Robert Klein, a successful art dealer who benefits from the misfortunes of those who are ruthlessly persecuted, discovers by chance that there is another Robert Klein, apparently a Jewish man; someone with whom he could be mistakenly identified, something dangerous in such harsh times.

A reformed gangster turns to his old associates for help after his son kills a police officer.

Various experiences of childhood are seen in several sequences that take place in the small town of Thiers, France. Vignettes include a boy's awakening interest in girls, couples double-dating at the movies, brothers giving their friend a haircut, a boy dealing with an abusive home life, a baby and a cat sitting by an open window, a child telling a dirty joke, and a boy who develops a crush on his friend's mother.

France, 1893. Joseph Bouvier attempts to shoot his love who refused to marry him and to commit suicide. Upon release from the filthy asylum where he was placed, with bullets still remaining in his head, he wanders the country roads and rapes and murders many teenagers over years. The judge Rousseau captures him, but to serve his ambition seeks to avoid that Bouvier is simply declared insane.

Hailwood, Agostini, Sheene

A look at 18th-century France, when the authorities depravity contributed to social oppression, and the uprisings flared up one after another.

Starting as an investigation, the film begins with the discovery of a murdered young woman. Gradually we go back in time to realize that this crime is altogether the logical continuation of a philosophy of life where neither sex nor death are taboo, and where a lust for pushing limits meets it ultimate conclusion.

Protagonist is the young actor Yvan. During a tour, he witnesses the inexplicable suicide of one of his fellow actors. Back in Paris he tells Xénie, the ex-lover of the dead actor. Xénie is in love with Yvan, but the latter sinks deeper and deeper into a personal crisis. At a certain point he acts being blind and buys a pair of glasses with black lenses. He is fascinated by his new, more restricted manner of seeing and refuses to open his eyes. Reality makes way for his more and more obsessive imagination. The mixture of fantasy and reality meant that Santoni's approach was compared with that of Buñuel.

Lyons, France. Michel Descombes is a watchmaker who lives alone with his teenage son Bernard. When the police visit and informs him that Bernard killed a man and is on the run with a girl, Michel realizes that he knew far less about his son than he thought .

Lyons, France. Michel Descombes is a watchmaker who lives alone with his teenage son Bernard. When the police visit and informs him that Bernard killed a man and is on the run with a girl, Michel realizes that he knew far less about his son than he thought .

A committed film director struggles to complete his movie while coping with a myriad of crises, personal and professional, among the cast and crew.

Using the interrogation of a US counterinsurgency agent as a backdrop, the film explores the consequences of the struggle between Uruguay's government and the leftist Tupamaro guerrillas.

Out 1: Spectre begins as nothing more than scenes from Parisian life; only as time goes by do we realize that there is a plot—perhaps playful, perhaps sinister—that implicates not just the thirteen characters, but maybe everyone, everywhere. Real life may be nothing but an enormous yarn someone somewhere is spinning...

Stanislas Previne is a young sociologist, preparing a thesis on criminal women. He chooses Camille Bliss as his subject of study and begins to visit her in prison for interviews. Camille became acquainted with trouble at a young age and justifies her actions by "fate-bets." She is currently in prison for allegedly murdering one of her lovers. As she tells Stanislas of her life and love affairs, his interest in her grows to more than just professional. Can he resist her charm?

Four high school students in Paris question the education system and try to provoke a dialogue with their teachers. A portrait of the French youth after 1968.

While two theater groups rehearse plays by Aeschylus, two solitary individuals wander the Parisian streets hustling the populace for cash.

After a bank robbery gone wrong, a crook goes on the run across Belgium to escape the police, clear himself of a crime that he did not commit, and protect his girlfriend from a shady lawyer.

Camille invites some soldiers to spend a Sunday in the country with her. When they arrive, they find that something is amiss.

22 year-old- Yan is trying hard to find his way in life: a job he likes, an ideal. In Saint-Nazaire, his home town, he vegetates, just like his father, an unambitious worker. His fiancée, Juliette, has middle class values and dreams of nothing but a comfortable married life. Dissatisfied, he moves to Paris where he becomes an assembly line worker at the Billancourt Renault car factory. Sick of the working conditions he and his fellow workers have to endure there, he soon turns into a leftist activist...

A woman wants to film a prisoner being tortured.

A stripped-down account of a young man's existential reckoning. "As dust hides a mirror, lust hides the self," reads one of the film's Vedanta-sourced intertitles. And indeed, while the Pierre Clementi protagonist's inner life remains obscure, the Saint-Germain-des-Pres neighborhood that offers his temptations appears in harrowing detail.

A young student, alone in Paris, is engaged in strange and bloody experiences of which she is both the authorizer and the victim.