Bruno Espírito Santo

You Didn’t Know About Me proposes a filmic narrative to 7 characters, all with serious mental commitments. The themes presented are free: childhood, nostalgia and loneliness. The scripts elaborated are based on memories and experiences lived by the characters. The condition of invisibility, prejudice and stigmatisation is flagrant in the documentary’s narratives. The way the documentary is made exposes its making: the team and the director are unfolding as characters. At this stage, it is evident how the authors fictionalise personal stories from their past. The inter-dimensional perception of the narratives configures polyphonic plots, with forces in constant tension: directed with the most intimate for each character, and advancing to contemporary political and social issues. The plot surprises by this alternation of narrative focus, it manages to converge on themes that permeate everyone, and are common to all humanity, because of their poetic and existentialist character.

Based on the historical fact of the arrival of the Portuguese royal family to Rio de Janeiro in 1808, Cidade Invisível proposes an upside-down archeology when questioning the myth of the Marvelous City and the irreverence of the Carioca.

A marginal version of Brecht’s piece, “Baal”.

A light-hearted and high-spirited story, full of spice, sensuality and romance, Viva Zapato tells the tale of Dolores, a beautiful Cuban dancer who decides to leave her failing marriage and open a restaurant by the beach with her aunt from Brazil. When her aunt sends her a pair of shoes instead of the money to start up the restaurant, she angrily sells the useless gift for spare change. Her dream fades away - until she discovers that the money was hidden in the heel. The zany search for the shoes begins, as she follows the footsteps through the lively streets of Havana, running into the quirky, colorful characters that bring Viva Zapato and Dolores' dream.