Michael MacKenzie

A victim from World War II's "Death Railway" sets out to find those responsible for his torture. A true story.

Night People follows the stories of five people across the course of one life-changing night in Edinburgh.

Local journalist, Cameron Colley writes articles that are idealistic, from the viewpoint of the underdog. A twisted serial killer seems to have some motives. His brutal murders are also committed on behalf of the underdog. The stories begin to merge and Cameron find himself inextricably and inextricably implicated by the brutal killer. The arms dealer that Cameron plans to expose is found literally 'disarmed' before he can put pen to paper. The brewery chief, loathed by Cameron, who sold up at the expense of his workers, finds himself permanently unemployable. The police are convened of Cameron's guilt and so are half his friends and colleagues. Cameron is forced to employ all his investigative skills to find the real killer and his motive.

When an absorbing new manuscript finds its way across his desk, Marcus Walwyn (Gideon Turner), an impressionable young publisher, befriends the book's author (Peter Davison) and suddenly has trouble leaving his work at the office. Intrigued by the volume's step-by-step instructions on how to stalk and murder an unsuspecting victim, Marcus grows obsessed with becoming an expert. This made-for-television drama is based on the book by M.S. Power.

In this French Canadian thriller, an actress wins the role of a murder victim in a film based on the true story of an unsolved crime. She discovers her neighbor was the lover of the woman who was murdered in real life -- and is still a suspect.

A feisty 17th-century Scotswoman falls in love with a despised landowner, to the dismay of her father.

Set in the bleak backdrop of Edinburgh a low level drug dealer strives for making a living and surviving the natural elements of such an environment day to day.

Alan and Sylvia fall in love and Alan gains a renewed sense of purpose. He begins to hope for an eventual release on licence. However both he and Sylvia have to face the fact that, for the foreseeable future, they cannot enjoy any physical intimacy. They decide to treat their affair as a long Victorian courtship.