Editor
Viktorija is a homeless girl who explores abandoned buildings and takes photos of them. She is looking for a place to stay – with running water and a warm bed. Her husband is in prison. When he gets out, they have big plans: to find a place to stay, to get a job, to stop using, to start a new life. Will they make it? Through their story, the film talks about universal human desires: to be loved and to belong – someplace, with someone. But first we have to love ourselves.
Editor
A portrait of the greats of Slovenian and Yugoslav documentary film, from his point of view, and that of his family and colleagues Karpo Aćimović-Godina, Jože Pogačnik and others.
Editor
In the seventies, in the slightly envious country, you come to the cooperative sawmill, the Štefan season, which gets entangled with an older village girl, Anica, so she gets pregnant. This obstructs his life plans: get a quick start to get enough to travel to Australia. Jože also comes to Slovenia with Štefan, who is a native but lives a distant life of a special person. Anika's older sister, Marta, is married, but without children. It turns out that they used to love Marta before, and then Jose escaped to study the theology, which he never completed. Anxious Anica succumbs to her sister's escalating hatred of men, so poorly crap Martin's advice is to close Stephen somewhere until forced into marriage. The events in the temple where Štefan is closed is culminating in a mission in a village church. At the time of the death of the old Martnjakovka, Aničina and Martina mothers, the events went wrong in the crime ...
Editor
A story of fragility, sexuality, monstrosities and geographical confusions. Everything, everywhere is the slogan of the nineties, a confusion of bodies, concepts and strategies, a kind of out of joint situation for the subject. And we find ourselves in all the media, in all the bodies in all the possible spaces at ones, but this deadly dance is not innocent. The video consists of the main part in which wives of the so-called totalitarian leaders as of the Rumanian dictator Cauceuscu (Elena) and of the former Serbian leader Slobodan Milosevic (Mirjana Milosevic) are forced to dance. Focused on the portrait of Mirjana Milosevic (The story of Mirjana M.) a kitsch melodramatic Balkan saga of power, drama, pop-folk elements and evil/demons is constructed. The apathy of feelings is caught in the dramatic tango that is slowed down for the camera eye.
