Yuliya Panasenko

The film is about the long-term relationship between the director and the character of her first film, the French indie artist, musician and director Siegfried, known as Sig. The story is dedicated to the experience of growing up, emancipation and finding their own identity in life and in art. The film raises questions about the nature of the student-teacher relationship, which inevitably involves submission and conflict, and the nature of the director and hero relationship, which is based on love and a little manipulation.

The film is about the long-term relationship between the director and the character of her first film, the French indie artist, musician and director Siegfried, known as Sig. The story is dedicated to the experience of growing up, emancipation and finding their own identity in life and in art. The film raises questions about the nature of the student-teacher relationship, which inevitably involves submission and conflict, and the nature of the director and hero relationship, which is based on love and a little manipulation.

After the death of her son Julia seemed to be frozen. I can not regain consciousness. But she believes in a new meeting with the one she lost.

After the death of her son Julia seemed to be frozen. I can not regain consciousness. But she believes in a new meeting with the one she lost.

After the death of her son Julia seemed to be frozen. I can not regain consciousness. But she believes in a new meeting with the one she lost.

After the death of her son Julia seemed to be frozen. I can not regain consciousness. But she believes in a new meeting with the one she lost.

The camera is the silent witness to the last weeks before Svetlana Donskova succumbs to her illness. We follow her slow surrender. Initially cheerful in the taxi, joking about being unmarried at 30, she gradually comes to spend increasing amounts of time lying on her couch in her apartment.

The camera is the silent witness to the last weeks before Svetlana Donskova succumbs to her illness. We follow her slow surrender. Initially cheerful in the taxi, joking about being unmarried at 30, she gradually comes to spend increasing amounts of time lying on her couch in her apartment.

The camera is the silent witness to the last weeks before Svetlana Donskova succumbs to her illness. We follow her slow surrender. Initially cheerful in the taxi, joking about being unmarried at 30, she gradually comes to spend increasing amounts of time lying on her couch in her apartment.

The camera is the silent witness to the last weeks before Svetlana Donskova succumbs to her illness. We follow her slow surrender. Initially cheerful in the taxi, joking about being unmarried at 30, she gradually comes to spend increasing amounts of time lying on her couch in her apartment.

The camera is the silent witness to the last weeks before Svetlana Donskova succumbs to her illness. We follow her slow surrender. Initially cheerful in the taxi, joking about being unmarried at 30, she gradually comes to spend increasing amounts of time lying on her couch in her apartment.

Rock is music for young people. Nick Rock-n-Roll, the protagonist of the film, doesn’t agree with it all. He’s 48 years old and as during his youth he still feels music deeply and looking for something special, unusual, which is out of stereotypes and mainstream. This film is about immersion in a world of new independent rock-music in Russia. Dipping into it Nick Rock-n-Roll remembers his own life, analyzing the nature of his passionate love to rock. His eternal search allows Nick not to feel his age that’s why it is necessary for him always to slake his thirst. Features four independent bands: Bosch's With You, Last Tanks in Paris (П.Т.В.П.), Deti Picasso, Salvador

Rock is music for young people. Nick Rock-n-Roll, the protagonist of the film, doesn’t agree with it all. He’s 48 years old and as during his youth he still feels music deeply and looking for something special, unusual, which is out of stereotypes and mainstream. This film is about immersion in a world of new independent rock-music in Russia. Dipping into it Nick Rock-n-Roll remembers his own life, analyzing the nature of his passionate love to rock. His eternal search allows Nick not to feel his age that’s why it is necessary for him always to slake his thirst. Features four independent bands: Bosch's With You, Last Tanks in Paris (П.Т.В.П.), Deti Picasso, Salvador

Rock is music for young people. Nick Rock-n-Roll, the protagonist of the film, doesn’t agree with it all. He’s 48 years old and as during his youth he still feels music deeply and looking for something special, unusual, which is out of stereotypes and mainstream. This film is about immersion in a world of new independent rock-music in Russia. Dipping into it Nick Rock-n-Roll remembers his own life, analyzing the nature of his passionate love to rock. His eternal search allows Nick not to feel his age that’s why it is necessary for him always to slake his thirst. Features four independent bands: Bosch's With You, Last Tanks in Paris (П.Т.В.П.), Deti Picasso, Salvador

The story of the return – from the return of documents to the return to life. Unnecessary, superfluous, idiotic-so unflattering Andrey speaks about himself. However, all 30 years of his life could be the script of a feature film. Having escaped from a mental hospital, in which he was locked up with a lifelong diagnosis of "incapacity", he ended up in a large – scale madhouse-the capital. Without documents and a roof over his head, Andrey is looking for ways to regain his right to a free life. Now his route is official offices and endless psychiatric examinations. The goal is to return the legal capacity.

The story of the return – from the return of documents to the return to life. Unnecessary, superfluous, idiotic-so unflattering Andrey speaks about himself. However, all 30 years of his life could be the script of a feature film. Having escaped from a mental hospital, in which he was locked up with a lifelong diagnosis of "incapacity", he ended up in a large – scale madhouse-the capital. Without documents and a roof over his head, Andrey is looking for ways to regain his right to a free life. Now his route is official offices and endless psychiatric examinations. The goal is to return the legal capacity.