Verónica Font

Carla is pregnant and naked, imitating the poses her mother took when she was pregnant with her. Sunlight filters through the windows. You see pictures in Super-8 of mothers and fathers, grandmothers and grandfathers, smiling, sewing, reciting poems. Then, a young girl travels from the Sixties to the Eighties, until today, crossing the thresholds of femininity and history, until the meeting with Carla by the Blue Sea of Catalonia and with Manel, Carla's newborn son.

A couple of choreographers tour between the frontiers of Argentina, Chile and Bolivia After 24 years sharing their professional and personal lives, the trip opens a crack in their routine and their lives begin to unravel.

Home in the Air is a reflection both on our idea of home and caretaking, and on our passage through this patch of sky. Built like a nest, with the bare essentials, the film has a poetic dimension with its focus on the bird’s and children’s watchful observation and on a listening ear for their songs and flutterings. Home in the Air is not about aesthetics or anything premeditated, it’s a natural prayer of the soul, an ode to animal and human behavior. The sharp eye of a bird and the children’s voices off-camera give shape to this film which places itself somewhere between the Earthly and the Divine.

Apichatpong Weerasethakul, Pedro Costa, Manoel de Oliveira y and the film's director, with their own personal views, share that thin line that links life with cinema.

Different faces show us an Iran where tradition and modernity coexist and confront each other. Erfan Shafei invites us to discover a country through its music and its people. Erfan is a funny and ironic young Kurdish man who wants to become a film director. He sings, writes poetry, lives with his parents and his parrot, but knows nothing about love...

Sustain desire through time. Cinema, friendship and poetry between two continents.

The ruthless dictator Teodoro Obiang has ruled Equatorial Guinea with an iron hand since 1979. Juan Tomás Ávila Laurel is the most translated Equatoguinean writer, but he had to flee the country in 2011, after starting a hunger strike denouncing the crimes of the dictatorship. Since then, he has lived in Spain, feeling that, despite the risks, he must return and fight the monster… with words.

Zilan, a young woman, returns to her home town looking for traces of her dead brother, killed by ISIS. But her town is not what it used to be: social and political tensions have escalated into a state of war. The people have risen up to demand their political autonomy and the police and army repress them with brutal force. But the city’s resistance will go on for more than 100 days and Zilan will not remain a passive witness. Based on the diaries of those who died fighting and the testimony of survivors, who are the protagonists of the film, Çelik's first feature explores concepts such as hope, friendship, sacrifice and loss in the struggle for freedom of a group of young people.

Zilan, a young woman, returns to her home town looking for traces of her dead brother, killed by ISIS. But her town is not what it used to be: social and political tensions have escalated into a state of war. The people have risen up to demand their political autonomy and the police and army repress them with brutal force. But the city’s resistance will go on for more than 100 days and Zilan will not remain a passive witness. Based on the diaries of those who died fighting and the testimony of survivors, who are the protagonists of the film, Çelik's first feature explores concepts such as hope, friendship, sacrifice and loss in the struggle for freedom of a group of young people.

Monica, a renowned choreographer, returns to Spain after a 20 year absence to see her sick father. Upon arriving her father has already died and her mother asks her to stay to sell the family home. In delaying her return to Buenos Aires Monica rediscovers her childhood landscapes and is forced to confront the past.