Nikos Ahladis

One woman's lonely search for the truth about her mother's murder.

A fashion photographer and seven models travel to a South American island fortress, ostensibly to do a fashion shoot. In reality, the photographer is a mercenary and their job is to free an imprisoned rebel leader

A gifted electrician, Michalis Karamanos works for Greek Telecommunications Organization and it seems that he is the only one who hasn't been completely absorbed by the corrupt and all-devouring system. Acting as a member of the revolutionary organization Constitutional Struggle, which is fighting against the unpopular policy of the government, he connects the computer of the director of OTE to an explosive device. He threatens to destroy the telecommunications of the country if he is not allowed to broadcast on television his revolutionary message during the broadcast of an important football game. The Authorities, thinking that he has gone crazy, try to bring him around using his old friends from the army, whom they pick up one by one as intermediaries. This is a situation comedy with excellent, mature plot development, plenty of suspense as well as masterful criticism of sociopolitical reality.

Feeling himself an outsider in contemporary Greece, a schoolteacher Spyros leaves his job and family to return to his hometown, where he intends to take up the occupation of his ancestors as a beekeeper. Over the course of his road trip he visits the sites and friends of his childhood, hoping to gather the pollen of his past, but instead meets and becomes obsessed with a young hitchhiker who represents the empty hedonism of the present.

An actor's troupe puts up a variety show.

An astronaut's widow and her young son meet a stranger from the future on a Greek island.

A biographical film about the great Greek politician Eleftherios Venizelos for the period between 1910-1927. The film highlights his vision of a Greater Greece and refers to important events in Greek history such as the formation of a government by Venizelos after the Goudi movement, his dispute with the King over Greece's stance in the First World War, the temporary his withdrawal from politics after his defeat in the 1920 elections and the Asia Minor disaster. A biography of the former Greek prime minister Eleftherios Venizelos and the recreation of his acts and the political and social climate in Greece from 1910 to 1927.

In this black comedy, the men in a lovely mansion slowly give in to a kind of terminal sloth after they are freed from the need to actually work. The father takes to his bed after his hernia acts up and never leaves it. Of his three sons, only one wants to do much about leaving, and he does in fact cross the front threshold of the house with his lover, who is also the maid. However, before he has gotten very far, he is very tired, and goes to sleep where he stands. One of the sons outdoes them all by sleeping literally all the time. He is not in a coma -- he is just very, very lazy and tired. Some critics have viewed this film as a sharply delineated social satire.

A conscientious tanker driver, Thanasis Papathanasis, works hard to help his sister Afroditi study medicine. He believes that in this way he will be able to marry her off so that then he can finally marry Eleni, whom he has loved for years. His efforts, however, are all in vain, as he is constantly confronted with a corrupt establishment and political situation that generate all the prevailing misfortunes: personal, social and national.

A love story, set in Athens of 1977, between a young woman, who works as a journalist, and a stage actor, who has decided to abandoned theatre. The film borrows its title from a hit by singer Mitropanos, “I remember you leaving, all my life”. Politics, the Left, artistic impasses of a creator, theatre, the relationships between men and women; with the man always abandoning the girl, as the title of the film (and the song) suggests.

A young man pushed beyond his endurance remembers his life on the roof of a tall building. He's there to commit suicide.

In 1827, at an inn in Nafplio, the capital of the newly established Greek state, a group of people from different parts of Greece are celebrating the defeat of the Turkish fleet in Navarino. However, in their patriotic fervor they drink too much, and a hot-tempered Arvanite, not understanding the dialect of a Cretan and thinking he has insulted him, injures him with a pistol. Police Inspector Dionysios Fantes from the Ionian Islands arrives at the scene to interrogate the witnesses but he too can't understand their various dialects as they can't understand his.

Polydoros Lagos is a janitor in an ordinary Athens' block in the 1960s who's struggling to serve as many of the building's residents as possible in order to save some money to help his six sisters (and his aunt) get married, since this is the only way he can finally get married too.

A Bullet Through the Heart (French: Une balle au cœur, Greek: Μια σφαίρα στην καρδιά) is a 1966 Franco-Greek film directed by Jean-Daniel Pollet. Francesco, a young Sicilian aristocrat, scars an aging gangster who has set out to take away his property. The gangster vows to obtain vengeance, and Francesco is forced to flee across Greece with his girl friend, pursued by his antagonist's vicious henchmen.

Aris, Nikos Kourkoulos, is released from prison after three years, and he turns up at Troumpa, a slum area in Piraeus. His purpose is not to settle his own accounts but to find out if Lola (Tzeni Karezi), a young woman who works at Stelios’ cabaret, was among the ones who betrayed him. Aris loves and cares about Lola and wants to get her out of there, but Stelios, who is also in love with her, assigns a thug to kill Aris.

Madalena is a tough seventeen-year-old who is forced to take on her father's ferry business after he dies. She has her many brothers and sisters to support, and there is no one else to do the job. So she rallies her defenses and sets out to give her rival in the ferry business a run for his money. But at the same time, the rival's handsome son is starting to look better and better. Madalena refuses to acknowledge her feelings for him -- though how long she can sustain that denial is the question.